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Standardized the music sheet design based on other musical sheets on this set, changed the COA to the best version. Changed the title to different version plus transliteration for better understanding. Converted from Inkscape SVG to Plain SVG. 01:43, 29 May 2018: 674 × 337 (925 KB) Jeromi Mikhael: Added COA.
Pastorale: for Trumpet, Trombone and Piano, (1996) Original version was the middle movement of Ballade, Pastorale and Dance for flute, horn, and piano A Philharmonic Fanfare: for Trumpet, Horn, and Trombone , (1997)
Sonata No. 1 for Horn and Piano; Lyrics for Horn and Piano; Sonata No. 2 for Horn and Piano; Werner Pirchner. Born for Horn, for four horns, PWV 36 [3] Wolfgang Plagge. Sonata No. 1 for Horn and Piano, Op. 8; Sonata No. 2 for Horn and Piano; Sonata No. 3 for Horn and Piano; A Litany for the 21st Century; Hans Wolfgang Poser Sonate, Op. 8 ...
Christian Wolff, Boras Song for horn, trumpet, violin and piano; Duo 6 for trumpet and violin For six or seven players (= Music for Merce Cunningham) for violin, viola, trumpet, trombone, piano and bass Mosaic Trio for trumpet, violin and piano Nine for flute, clarinet, horn, trumpet, trombone, celeste, piano and two cellos Pulse for trumpet ...
The sonata is the composer's second extant work of chamber music, after the Sonata for two clarinets.It was written between August and October 1922 at the same time as the Sonata for clarinet and bassoon, [2] and was premiered at the Théâtre des Champs-Élysées in Paris on 4 January 1923 at a Satie-Poulenc concert organized by Jean Wiener. [3]
Sheet music can be used as a record of, a guide to, or a means to perform, a song or piece of music. Sheet music enables instrumental performers who are able to read music notation (a pianist, orchestral instrument players, a jazz band, etc.) or singers to perform a song or piece. Music students use sheet music to learn about different styles ...
The work typically takes between nine and ten minutes in performance. [4] It is unique in Poulenc's oeuvre in opening with a 12-note tone row.Although Poulenc had met the leading proponent of 12-tone music, Arnold Schoenberg, and admired his music, in his own compositions he remained a tonal composer throughout his career, and this use of a serial theme is entirely untypical.
The sound of the flugelhorn has been described as halfway between a trumpet and a French horn, whereas the cornet's sound is halfway between a trumpet and a flugelhorn. [6] The flugelhorn is as agile as the cornet but more difficult to control in the high register (from approximately written G 5 ), where in general it locks onto notes less easily.