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The "Hammerklavier" was deemed to be Beethoven's most difficult sonata yet. In fact, it was considered unplayable until almost 15 years later, when Liszt played it in a concert. Opus 101: Piano Sonata No. 28 in A major (1816) Opus 106: Piano Sonata No. 29 in B-flat major ("Hammerklavier") (1818) Opus 109: Piano Sonata No. 30 in E major (1820)
Beethoven's Piano Sonata No. 5 is a first-period composition, anticipating more notable C minor works such as the Pathétique Sonata and the Fifth Symphony in its nervous energy. Like all three sonatas of his Op. 10, it is dedicated to Anna Margarete von Browne, the wife of one of Beethoven's patrons, a Russian diplomat in Vienna. [1]
Prior to the creation of the Hammerklavier sonata, the years between 1807 and 1812 were considered one of Beethoven's most productive period. During that time, he composed four symphonies (Nos. 5 through 8), three piano sonatas (opp. 78–81a), the Piano Concerto No. 5, "Emperor", the Mass in C major, and various chamber works.
The late piano sonatas of Ludwig van Beethoven usually refer to the last five piano sonatas the composer composed during his late period. Piano Sonata No. 28 in A major, Op. 101; Piano Sonata No. 29 in B-flat major, Op. 106 "Hammerklavier" Piano Sonata No. 30 in E major, Op. 109; Piano Sonata No. 31 in A-flat major, Op. 110
The Sonatas for cello and piano No. 4 in C major, Op. 102, No. 1, and No. 5 in D major, Op. 102, No. 2, by Ludwig van Beethoven were composed simultaneously in 1815 and published, by Simrock, in 1817 with a dedication to the Countess Marie von Erdődy, a close friend and confidante of Beethoven. [1]
Charles Ives’ “Concord” Piano Sonata is one of the most brilliant works of American classical music. ... Beethoven’s Fifth Symphony and especially his “Hammerklavier” sonata, which ...