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Chinese makes frequent use of particles to express certain meanings such as doubt, query, command, etc., reducing the need to use intonation. However, intonation is still present in Chinese (expressing meanings rather similarly as in standard English), although there are varying analyses of how it interacts with the lexical tones.
In phonetics, contour describes speech sounds that behave as single segments but make an internal transition from one quality, place, or manner to another. Such sounds may be tones, vowels, or consonants. Many tone languages have contour tones, which move from one level to another. For example, Mandarin Chinese has four lexical tones. The high ...
The tone contours of Mandarin Chinese. In the convention for Chinese, 1 is low and 5 is high. The corresponding tone letters are ˥, ˧˥, ˨˩˦, ˥˩.. A series of iconic tone letters based on a musical staff was devised by Yuen Ren Chao in the 1920s [2] by adding a reference stave to the existing convention of the International Phonetic Alphabet.
Application of phonetic attributes in Chinese character input, for example, Chinese character keyboard input is supported on MS Windows by sound expressions in Pinyin or symbolic symbols. In addition, the sounds of Chinese characters and words are also used in dictionary words arrangement and indexing. [32] [circular reference]
A tone contour or contour tone is a tone in a tonal language which shifts from one pitch to another over the course of the syllable or word. Tone contours are especially common in East Asia , Southeast Asia , West Africa , Nilo-Saharan languages , Khoisan languages , Oto-Manguean languages and some languages of South America .
Tone is the use of pitch in language to distinguish lexical or grammatical meaning—that is, to distinguish or to inflect words. [1] All oral languages use pitch to express emotional and other para-linguistic information and to convey emphasis, contrast and other such features in what is called intonation, but not all languages use tones to distinguish words or their inflections, analogously ...
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"Old Chinese was a toneless language. Tones arose between Old Chinese and Early Middle Chinese (that is between 500 BCE and 500 CE) as a result of the loss of final laryngeals." The four tones of Middle Chinese, 平 píng level, 上 shǎng rising, 去 qù departing, and 入 rù entering, all