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Sonata for flute, violin, cello and harp (1986) Songs Without Words for flute and harp (1998) Joseph Bologne, Chevalier de Saint-Georges. Sonata for flute and harp; Howard J. Buss. Alpine Spring for flute and harp (2008) Inner Quest for flute and harp (2011) Saint Francis and the Animals for flute, clarinet and harp (2013)
The music of The Sacred Harp is eclectic in origin, and can be roughly grouped into the following categories of songs (listed chronologically). In the examples listed below, songs are identified by the page number in the two most prominent modern versions of The Sacred Harp; the so-called "Denson edition" and the "Cooper edition". Thus, "D,C 49 ...
The hollow-square seating arrangement for Sacred Harp singing. Sacred Harp groups always sing a cappella, that is to say, without accompanying instruments. [3] [4] The singers arrange themselves in a hollow square, with rows of chairs or pews on each side assigned to each of the four parts: treble, alto, tenor, and bass.
Oyfn Pripetshik" (Yiddish: אויפן פריפעטשיק, also spelled "Oyfn Pripetchik", "Oyfn Pripetchek", etc.; [note 1] English: "On the Hearth") [1] is a Yiddish song by M.M. Warshawsky (1848–1907). The song is about a melamed teaching his young students the Hebrew alphabet.
Love Songs Lyrical Songs, suite after M. Pozchishvili for soprano, tenor, men's vocal octet and chamber orchestra (1974) Words by M. Potskhishvili and traditional. First performance in 1974 in Riga. Piano Concerto No. 3 Youth Concerto in F major (1974) In one movement. First performance in 1974 in Tbilisi.
Jew's harp music is Library of Congress Subject Heading M175.J4. [ 2 ] Famous Jew's harpists include the German musicians Father Bruno Glatzl (1721–1773) of Melk Abbey (for whom Albrechtsberger wrote his concerti), Franz Koch (1761–1831), who was discovered by Frederick the Great , [ 3 ] and, "the most famous," [ 4 ] Karl Eulenstein (1802 ...
Ainu epic songs, yukar, are performed as long monologues. The singer performs the song entirely from memory, and, traditionally, in a "non-formal" setting such as a friend's house or before the hearth at a gathering. While somewhat casual, these epics are still more formal than the short prayer songs mentioned earlier.
In 1840—a hundred years after the publication of Hymns and Sacred Poems—Mendelssohn composed a cantata to commemorate Johannes Gutenberg's invention of movable type, and it is music from this cantata, adapted by the English musician William H. Cummings to fit the lyrics of "Hark! The Herald Angels Sing", that is used for the carol today.