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Graphic notation (or graphic score) is the representation of music through the use of visual symbols outside the realm of traditional music notation. Graphic notation became popular in the 1950s, and can be used either in combination with or instead of traditional music notation. [ 1 ]
Songs Inspired by Literature, Chapter One: Justin Wells: The Odyssey: Homer [29] "Lay Down" Bursting at the Seams: Strawbs: The 23rd Psalm of the Book of Psalms from the Hebrew Bible and the Christian Old Testament [132] "The Legend of Enoch Arden" Songs Inspired by Literature, Chapter One: Diane Zeigler "The Legend of Enoch Arden" Alfred Lord ...
Earle Brown (December 26, 1926 – July 2, 2002) was an American composer who established his own formal and notational systems. Brown was the creator of "open form," [1] a style of musical construction that has influenced many composers since—notably the downtown New York scene of the 1980s (see John Zorn) and generations of younger composers.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
By 1995, the Divine Comedy had been set to music over 120 times; Gioacchino Rossini created two such settings. Only 8 of the settings are of the complete Commedia, "the most famous" [67] being Liszt's symphony; others have composed music for some of Dante's characters, while yet others have set passages of the Commedia to music. [67]
Williams Mix (1951–1953) is a 4'16" electroacoustic composition by John Cage for eight simultaneously played independent quarter-inch magnetic tapes.The first piece of octophonic music, [1] [2] the piece was created by Cage with the assistance of Earle Brown, Morton Feldman, David Tudor, and Bebe and Louis Barron (who would later create the first all-electronic feature film soundtrack for ...
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This encouraged Takemitsu in his use of indeterminate procedures and graphic-score notation, for example in the graphic scores of Ring (1961), Corona for pianist(s) and Corona II for string(s) (both 1962). In these works each performer is presented with cards printed with coloured circular patterns which are freely arranged by the performer to ...