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The Wedding Feast takes place in Cana shortly after the call of Philip and Nathanael. According to John 21:2, [e] Cana was Nathanael's hometown. [3] Although none of the synoptic Gospels mentions the wedding at Cana, Christian tradition based on John 2:11 [f] holds that this is the first public miracle of Jesus. [4]
Articles relating to the Wedding at Cana.The transformation of water into wine at this wedding is the first miracle attributed to Jesus in the Gospel of John.Studying Jesus in comparative mythology, the story of the transformation of water into wine bears some resemblance to a number of stories that were told about the ancient Greek god Dionysus, who among others was said to fill empty barrels ...
The Wedding at Cana (Italian: Nozze di Cana, 1562–1563), by Paolo Veronese, is a representational painting that depicts the biblical story of the Wedding at Cana, at which Jesus miraculously converts water into red wine (John 2:1–11).
Articles relating to Cana of Galilee (Ancient Greek: Κανὰ τῆς Γαλιλαίας; Arabic: قانا الجليل, romanized: Qana al-Jalil, lit. 'Qana of the Galilee') and its depictions. It is the location of the Wedding at Cana, at which the miracle of turning water into wine took place in the Gospel of John.
Khirbet Qana has been identified with the ancient village of Cana, site of Wedding at Cana of the New Testament, and referenced by Josephus. Over the years, various locations such as Kafr Kanna in Galilee and Qana in Lebanon have also been proposed as Cana. However, recent excavations have established Khirbet Qana as the most likely site.
The Wedding at Cana is a popular theme painted by many artists. Italian Renaissance painter Paolo Veronese who was based in Venice painted his version of The Wedding at Cana. The theme is traditionally considered the first miracle attributed to Jesus in the Gospel of John. Jesus Christ, his mother, and his disciples were invited to a wedding.
The text tells the story of a banquet held at Cana, where a great king (i.e. God) invites many biblical figures to attend a wedding. [2] Interpretations of the intent of the work have often radically diverged: it has been viewed both as a didactic work, albeit an unusual one, and as an example of biblical parody. [6]
Paolo Veronese, Mystic Marriage of Saint Catherine, 1571, Gallerie dell'Accademia, Venice The Mystic Marriage of Saint Catherine is a c.1575 oil-on-canvas painting by Paolo Veronese, produced as the high altarpiece for Santa Caterina church in Venice.