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The Telugu script has generally regular conjuncts, with trailing consonants taking a subjoined form, often losing the talakattu (the v-shaped headstroke). The following table shows all two-consonant conjuncts and one three-consonant conjunct, but individual conjuncts may differ between fonts.
A modern jayamala ceremony during a Hindu wedding. A varamala (Sanskrit: वरमाला, romanized: Varamālā, lit. 'boon garland') [1] or a jayamala (Sanskrit ...
The Telugu–Kannada script (or Kannada–Telugu script) was a writing system used in Southern India. Despite some significant differences, the scripts used for the Telugu and Kannada languages remain quite similar and highly mutually intelligible. Satavahanas and Chalukyas influenced the similarities between Telugu and Kannada scripts. [3]
For example, the mid 8th-century Pattadakal pillar in Karnataka has text in both Siddha Matrika script, and an early Telugu-Kannada script; while, the Kangra Jawalamukhi inscription in Himachal Pradesh is written in both Sharada and Devanāgarī scripts.
The Kannada script (IAST: Kannaḍa lipi; obsolete: Kanarese or Canarese script in English) is an abugida of the Brahmic family, [4] used to write Kannada, one of the Dravidian languages of South India especially in the state of Karnataka. It is one of the official scripts of the Indian Republic.
Devanagari is a Unicode block containing characters for writing languages such as Hindi, Marathi, Bodo, Maithili, Sindhi, Nepali, and Sanskrit, among others.In its original incarnation, the code points U+0900..U+0954 were a direct copy of the characters A0-F4 from the 1988 ISCII standard.
The stone inscription of the Pottesvara temple, Ganjam district (137 CE), is a notable example of Odia script influenced by Telugu-Kannada variety. The Antirigam plate of Yashabhanjadeva (12th CE) depicts Odia calligraphy influenced by northern Nagari. The differences in letters script seems to indicate of the script being in a transitional phase.
In Tantra, the fifty or fifty-one letters including vowels as well as consonants from A to Ksha, of the Devanagari alphabet itself, the Varnamala of bija, have been described as being the Matrikas themselves. It is believed that they are infused with the power of the Divine Mother herself.