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In addition to writing in different forms (poetry, books, repetition of one word), hypergraphia patients differ in the complexity of their writings. While some writers (e.g. Alice Flaherty [4] and Dyane Harwood [5]) use their hypergraphia to help them write extensive papers and books, most patients do not write things of substance. Flaherty ...
In linguistics, the head or nucleus of a phrase is the word that determines the syntactic category of that phrase. For example, the head of the noun phrase boiling hot water is the noun (head noun) water. Analogously, the head of a compound is the stem that determines the semantic category of that
Overwriting is a simple compound of the English prefix "over-" ("excessive") and "writing", and as the name suggests, means using extra words that add little value. One rhetoric professor described it as "a wordy writing style characterized by excessive detail, needless repetition, overwrought figures of speech, and/or convoluted sentence ...
Dysgraphia; Other names: Disorder of written expression: Three handwritten repetitions of the phrase "The quick brown fox jumps over the lazy dog" on lined paper.The writing, by an adult with dysgraphia, exhibits variations in letter formation, inconsistent spacing, and irregular alignment, all key characteristics of the condition.
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
Just Words. If you love Scrabble, you'll love the wonderful word game fun of Just Words. Play Just Words free online! By Masque Publishing
"Head over Feet" is a song by Canadian singer-songwriter Alanis Morissette, taken from her third (and first outside Canada) studio album Jagged Little Pill (1995). Written by Alanis and Glen Ballard , and produced by Ballard, it was released as the album's fifth single outside of the United States in July 1996 and presented a softer sound than ...
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