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This is an accepted version of this page This is the latest accepted revision, reviewed on 14 January 2025. This is a list of onomatopoeias, i.e. words that imitate, resemble, or suggest the source of the sound that they describe. For more information, see the linked articles. Human vocal sounds Achoo, Atishoo, the sound of a sneeze Ahem, a sound made to clear the throat or to draw attention ...
The Yellow Sound was the "earliest and most influential" [2] of four "color-tone dramas" that Kandinsky conceived for the theater between 1909 and 1914; the others were titled The Green Sound, Black and White, and Violet. [3]
A keyboard instrument is a musical instrument played using a keyboard, a row of levers which are pressed by the fingers.The most common of these are the piano, organ, and various electronic keyboards, including synthesizers and digital pianos.
Bells are generally around 80% copper and 20% tin , with the tone varying according to material. Tone and pitch is also affected by the method in which a bell is struck. Asian large bells are often bowl shaped but lack the lip and are often not free-swinging. Also note the special shape of Bianzhong bells, allowing two tones. The scaling or ...
An ornamental tone following a principal tone by a skip up or down, usually of a third, and proceeding in the opposite direction by a step, not to be confused with changing tone. canon or kanon (Ger.) A theme that is repeated and imitated and built upon by other instruments with a time delay, creating a layered effect; see Pachelbel's Canon.
"At the Sound of the Tone" is a song written by Dave Richardson and Max T. Barnes, and recorded by actor and American country music artist John Schneider. It was released in August 1986 as the first single from the album Take the Long Way Home. The song reached number 5 on the Billboard Hot Country Singles & Tracks chart. [1]
James Hepokoski notes a shift in Strauss's technique in the tone poems, occurring between 1892 and 1893. It was after this point that Strauss rejected the philosophy of Schopenhauer and began more forcefully critiquing the institution of the symphony and the symphonic poem, thereby differentiating the second cycle of tone poems from the first.
The tone poems of Richard Strauss are noted as the high point of program music in the latter part of the 19th century, extending its boundaries and taking the concept of realism in music to an unprecedented level. In these works, he widened the expressive range of music while depicting subjects many times thought unsuitable for musical depiction.