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Low fantasy, or intrusion fantasy, is a subgenre of fantasy fiction in which magical events intrude on an otherwise-normal world. [1] [2] The term thus contrasts with high fantasy stories, which take place in fictional worlds that have their own sets of rules and physical laws.
The Negative Zone in the Marvel Universe is used as a fictional universe parallel to Earth's. While the universes are similar in many respects they are different in that: all matter in the Negative Zone is negatively charged; the Negative Zone is entirely filled with a pressurized, breathable atmosphere; and near the center of the Negative Zone is a deadly vortex of unspeakable power.
The concept of counter-Earth might seem similar to a parallel universe but is actually a distinct idea. A counter-Earth is a planet that shares Earth's orbit but is on the opposite side of the Sun, and thus cannot be seen from Earth. There would be no necessity that such a planet would be like Earth in any way, although typically in fiction it ...
For example, someone who has extraordinary beliefs about their power or authority may believe themselves to be a ruling monarch who deserves to be treated like royalty. [6] There are substantial differences in the degree of grandiosity linked with grandiose delusions in different people.
In nearly any given fantasy magical system, magical ability is limited. Limitations can add conflict to the story and prevent characters from becoming all-powerful with magic, although characters with unlimited power (such as deities or transcendental beings) are not unheard of in fiction.
In his haste to cram complex events into crisp little episodes, the historian passes over inconvenient details.
Speculative fiction is an umbrella genre of fiction that encompasses all the subgenres that depart from realism, or strictly imitating everyday reality, [1] instead presenting fantastical, supernatural, futuristic, or other imaginative realms. [2]
To Clark Zlotchew, the differentiating factor between the fantastic and magical realism is that in fantastic literature, such as Kafka's The Metamorphosis, there is a hesitation experienced by the protagonist, implied author or reader in deciding whether to attribute natural or supernatural causes to an unsettling event, or between rational or ...