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Lester Raymond Flatt (June 19, 1914 – May 11, 1979) [1] was an American bluegrass guitarist and mandolinist, best known for his collaboration with banjo picker Earl ...
Flatt, a traditionalist, did not like these changes, and the group broke up in 1969. [2] Following the breakup, Lester Flatt founded the Nashville Grass and Scruggs led the Earl Scruggs Revue. Flatt died of heart failure in Nashville, Tennessee, May 11, 1979 at the age of 64. [3] Scruggs died from natural causes on March 28, 2012 in a Nashville ...
Over the years, as with most bluegrass bands, the Nashville Grass saw numerous changes in personnel, including the addition of contemporary country music star Marty Stuart, who started with Flatt at the age of 13. [1] Lester Flatt continued to record and perform with the Nashville Grass until his death in 1979; at that time, Curly Seckler ...
The Fabulous Sound of Lester Flatt & Earl Scruggs is a studio album by bluegrass artists Flatt and Scruggs. It was released in 1964 by Columbia Records (catalog number CL 2255). [1] [2] The album debuted on Billboard magazine's Top Country Albums chart on January 2, 1965, peaked at No. 2, and remained on the chart for a total of 26 weeks. [3]
The Earls of Leicester is an American bluegrass group, assembled by Jerry Douglas in 2013 to present the music of Lester Flatt, Earl Scruggs and their band the Foggy Mountain Boys to a contemporary audience. [1] [2] Their eponymous debut album earned a Grammy Award for Best Bluegrass Album in 2015. [3]
Writing for Allmusic, music critic Thom Owen wrote the album "Flatt & Scruggs and Watson play with a startling fluidity — these instrumentals are so rich and skillful that vocals would have been superfluous. For lovers of instrumental bluegrass, this album is a must-hear."
Mr Lester is accused of shooting the 16-year-old high school junior twice on 13 April when the boy went to pick up his younger twin brothers from a friend’s house.
In bluegrass and other music, the G run (G-run), or Flatt run [1] (presumably after Lester Flatt), is a stereotypical ending used as a basis for improvisation on the guitar. It is the most popular run in bluegrass, the second being "Shave and a Haircut". [1] The best known version, above, is a slight elaboration of the simplest form, below.