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Artemisia was aware of "her position as a female artist and the current representations of women's relationship to art". [60] This is evident in her allegorical self portrait, Self Portrait as "La Pittura" , which shows Artemisia as a muse, "symbolic embodiment of the art" and as a professional artist.
The following is an incomplete list of works by Artemisia Gentileschi. Catalogue numbers abbreviated "WB" are taken from the 1999 publication by Raymond Ward Bissell, [1] and number abbreviated "MET" are from the 2001 publication by the Metropolitan Museum of Art. Other attributions are taken from Jesse Locker's The Language of Painting.
Judith Slaying Holofernes is a painting by the Italian early Baroque artist Artemisia Gentileschi, completed in 1612-13 and now at the Museo Capodimonte, Naples, Italy. [1] The picture is considered one of her iconic works. The canvas shows Judith beheading Holofernes.
As artists, Gentileschi and Wiley challenge the white male-dominated fields and iconic images of their generations. Kimbell Art Museum presents ‘Slay: Artemisia Gentileschi and Kehinde Wiley ...
3/5 Laura Knight and Artemisia Gentileschi feature among a vast array of little-known female artists in this expansive survey at Tate Britain, but some of the work on display only underlines the ...
Saint Cecilia (Artemisia Gentileschi) Saint Januarius in the Amphitheatre at Pozzuoli; Saints Proculus and Nicea (painting) Self-Portrait (Artemisia Gentileschi) Self-Portrait as a Female Martyr; Self-Portrait as a Lute Player; Self-Portrait as Saint Catherine of Alexandria; Self-Portrait as the Allegory of Painting; Susanna and the Elders ...
Artemisia Gentileschi, Judith Slaying Holofernes, c 1612, Museo e Real Bosco di Capodimonte, Naples, Italy. This history is relevant as Gentileschi's early life has come to inform the perspectives of many contemporary feminist art historians, including Mary Garrard, [6] and particularly in the case of Judith Slaying Holofernes.
Self-Portrait as Saint Catherine of Alexandria is a 1615–1617 painting by the Italian Baroque artist Artemisia Gentileschi, showing the artist in the guise of Catherine of Alexandria. It is now in the collection of the National Gallery, London , which purchased it in 2018 for £3.6 million, including about £2.7 million from its American ...