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Her famous poem 'We Sinful Women' (Urdu: ہم گنہگار عورتیں), affectionately referred to as a women's anthem among Pakistani feminists, gave its title to a groundbreaking anthology of contemporary Urdu feminist poetry, translated and edited by Rukhsana Ahmad and published in London by The Women's Press in 1991. [5] [2]
Anne Finch, Countess of Winchilsea (née Kingsmill; April 1661 – 5 August 1720), was an English poet and courtier.Finch wrote in many genres and on many topics - including fables, odes, songs, and religious verse - which are informed by "political ideology, religious orientation, and aesthetic sensibility". [1]
Since its 1987 publication, Stealing the Language has been groundbreaking for feminist literary criticism as well as for the feminist poetry movement.Google Scholar shows that it is cited in at least 355 scholarly works with varied subjects ranging from studies of individual women poets like Anne Sexton and Adrienne Rich to books on feminist literary criticism and the gendered nature of ...
Maya Angelou's "Still I Rise" poem remains an anthem for the oppressed's struggle against the powerful, especially Black women. Themes of dignity and strength are inspiring.
Euripides (c. 480 – c. 406 BC) is one of the authors of classical Greece who took a particular interest in the condition of women within the Greek world. In a predominantly patriarchal society, he undertook, through his works, to explore and sometimes challenge the injustices faced by women and certain social or moral norms concerning them.
No one's sure exactly why this woman had a story to tell, because this woman lived as many as 6,000 years ago. We can still imagine her intoning scary scenes with foreign howls. A charming man's buttery voice might've won over a reluctant, longhaired princess; a beguiling forest creature's dry cackle a smoke signal for danger.
Are Women People? A Book of Rhymes for Suffrage Times is the title of the collection of satirical poems published on June 12, 1915 [ 1 ] by suffragist Alice Duer Miller . [ 2 ] Many of the poems in this collection were originally released individually in the New York Tribune between February 4, 1913 to November 4, 1917.
Love is my sin, and thy dear virtue hate, Hate of my sin, grounded on sinful loving: O, but with mine compare thou thine own state, And thou shalt find it merits not reproving; Or, if it do, not from those lips of thine, That have profan’d their scarlet ornaments And seal’d false bonds of love as oft as mine,