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In 2015, Clark collaborated alongside notable skateboard and clothing brand, Supreme, to celebrate the 20th anniversary of Kids with a collection of decks, T-shirts, and sweatshirts that feature stills from the iconic film. The collection was released on May 21, 2015, in Supreme's New York, Los Angeles, and London locations and on May 23 in its ...
The documentary We Were Once Kids was released in 2021. [36] [37] Directed by Eddie Martin, it explores the film's production, as well as the post-film lives of some of the cast. At the time of filming Kids, most of the participating teenagers signed a contract without knowledge about their rights and were left on their own after filming ended. [6]
Clark was a cinematographer for 1972's Wattstax and his recollections of the making of the film are included on a commentary track of the 2004 special-edition DVD of the restored film. Several crew and cast members are on the track, including Al Bell , president of Stax Records and producer of the film, and director Mel Stuart .
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The L.A. Rebellion film movement, sometimes referred to as the "Los Angeles School of Black Filmmakers", or the UCLA Rebellion, refers to the new generation of young African and African-American filmmakers who studied at the UCLA Film School in the late-1960s to the late-1980s and have created a black cinema that provides an alternative to classical Hollywood cinema.
Teenage Caveman is a 2002 science fiction-horror-teen film directed by controversial filmmaker Larry Clark. [1] It was made as part of a series of low-budget made-for-television movies loosely inspired by B movies that Samuel Z. Arkoff had produced for AIP.
In 1995, Hunter appeared as Harold in Larry Clark's Kids, a film about teenagers in the East Village. [ 1 ] [ 4 ] He also appeared in the critically acclaimed TV series Kung Faux performing various voice-overs, and on an episode of the TV series Miami Ink . [ 8 ]
Tulsa, Clark's first book, was published in 1971 by Lustrum Press, owned by Ralph Gibson. It has been claimed that thanks to Gene Pitney's 1960 song "Twenty Four Hours from Tulsa", Tulsa then represented "young love and family values"; [3] Clark's book challenged this with scenes of young people having sex, shooting up drugs, and playing with guns.