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Ancient Macedonian paintings of Hellenistic-era military armor, arms, and gear from the Tomb of Lyson and Kallikles in ancient Mieza (modern-day Lefkadia), Imathia, Central Macedonia, Greece, dated 2nd century BC. Linothorax armor made out of linen fabric was the most common form of infantry torso armor, being cheap and relatively light.
Because of this, warfare was a typical theme in many pieces of ancient Greek art. Many works of art, like the Doryphoros or the chryselephantine statue of Athena Parthenos, used military objects in their composition, and many others, like the Chigi vase, had warfare as their main subject. Ancient Greek art is an important aspect of not just the ...
The hoplite was an infantryman, the central element of warfare in Ancient Greece. The word hoplite (Greek ὁπλίτης, hoplitēs) derives from hoplon (ὅπλον, plural hopla, ὅπλα) meaning the arms carried by a hoplite [1] Hoplites were the citizen-soldiers of the Ancient Greek City-states (except Spartans who were professional ...
Like the other Greek city-states' armies, the Spartan army was an infantry-based army that fought using the phalanx formation. The Spartans themselves did not introduce any significant changes or tactical innovations in hoplite warfare, but their constant drill and superb discipline made their phalanx much more cohesive and effective. The ...
The Athenian military was the old main force of Athens, one of the major city-states of Ancient Greece. It was largely similar to other armies of the region – see Ancient Greek warfare . Army
Printable version; In other projects Wikidata item; ... Pages in category "Ancient Greek military art" The following 12 pages are in this category, out of 12 total.
Ancient Greeks were among the first civilizations to use symbols consistently in order to identify a warrior, clan or a state. In Aeschylus’ tragedy Seven Against Thebes there is the first record of a shield blazon.
An etiological myth of their origins, simply expanding upon their supposed etymology—the name in Classical Greek was interpreted as "ant-people", from myrmedon (Ancient Greek: μῠρμηδών, murmēdṓn, plural: μῠρμηδόνες, murmēdónes), which means "ant-nest"—was first mentioned by Ovid in the Metamorphoses.