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Stooky Bill was the name given to the head of a ventriloquist's dummy that Scottish television pioneer John Logie Baird used in his 1924 experiments to transmit a televised image between rooms in his laboratory at 22 Frith Street, London.
This is a list of notable ventriloquists and their best known characters. It is ordered by nationality or country in which they were notable in an alphabetical order, and then by alphabetical order of surname.
Literary examples of frightening ventriloquist dummies include Gerald Kersh's The Horrible Dummy and the story "The Glass Eye" by John Keir Cross. In music, NRBQ's video for their song "Dummy" (2004) features four ventriloquist dummies modelled after the band members who 'lip-sync' the song while wandering around a dark, abandoned house.
A comic whose distinctive shtick continues to resonate with big crowds is coming back to Columbia. Jeff Dunham — whose act centers on an array of not-so culturally sensitive ventriloquist dummy ...
One shoe's character, an alcoholic, became the basis for his most famous dummy, Willie Drinkall. [1] Drinkall was a papier-mâché headed dummy, who would generally be smoking a cigarette, his eyes moved independently, as well as his eyelids and jaw. His arm was long enough to go around Beckitt's neck.
Billy is a male ventriloquist's dummy, as its jaw is movable to give the suggestion that it is talking; however, it is not used in the same manner, as the entire doll is frequently seen moving on its own. Its face is white, with a protruding brow and cheeks that have red spirals painted on them. Its red lips form a grin. Its eyes are black with ...
The Ventriloquist's Dummy is a puppet shaped like a small human which is operated by a ventriloquist performer to focus the audience's attention away from the performer's activities and heighten the illusion that the dummy is speaking. They are called dummies because they do not speak on their own.
He also created "Mr. Goody-good," a surreal character, by painting eyes and a nose on his chin, covering his face with a small costume, then having the camera image inverted. The resulting pinheaded character seemed to have an immensely wide mouth and a highly mobile head. Winchell created this illusion by moving his chin back and forth.