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The English philologist and author J. R. R. Tolkien created several constructed languages, mostly related to his fictional world of Middle-earth.Inventing languages, something that he called glossopoeia (paralleling his idea of mythopoeia or myth-making), was a lifelong occupation for Tolkien, starting in his teens.
As Tolkien stated: The invention of languages is the foundation. The 'stories' were made rather to provide a world for the languages than the reverse. To me a name comes first and the story follows. [T 1] Tolkien created scripts for his Elvish languages, of which the best known are Sarati, Tengwar, and Cirth.
The languages were the first thing Tolkien created for his mythos, starting with what he originally called "Qenya", the first primitive form of Elvish. This was later called Quenya (High-elven) and is one of the two most complete of Tolkien's languages (the other being Sindarin , or Grey-elven).
Tolkien is best known as the author of the high fantasy works The Hobbit and The Lord of the Rings, both set in Middle-earth. [4] He created a family of invented languages for Elves, carefully designing the differences between them to reflect their distance from their imaginary common origin.
An Esperantido some believe was created to cause dissent among Idoists. Timerio: 1921 Tiemer: A language where each concept is replaced with a number, intended to be used as a means for automatic translation. Interlingue: ie, ile 1922 Edgar de Wahl: A sophisticated naturalistic IAL, also known as Occidental. Novial: nov 1928 Otto Jespersen
Tolkien is best known as the author of the high fantasy works The Hobbit and The Lord of the Rings, both set in Middle-earth. [3] He created a family of invented languages for Elves, carefully designing the differences between them to reflect their distance from their imaginary common origin.
Forty-two years ago today on September 2, 1973, the world lost literary great J.R.R. Tolkien, creator of the famed "Lord of the Rings" and "Hobbit" series.
Podhorodecka concludes that Tolkien's constructed languages were certainly individual to him, but that their "linguistic patterns resulted from his keen sense of phonetic metaphor", so that the languages subtly contribute to the "aesthetic and axiological aspects of his mythology". [21]