Ads
related to: prokofiev works
Search results
Results From The WOW.Com Content Network
Work Year 1 Piano Sonata No. 1 in F minor 1909 2 Four Etudes for Piano 1909 3 Four Pieces for Piano 1907-1911 4 Four Pieces for Piano 1908–12 5 Sinfonietta in A major (original version) 1909, rev. 1914–15 6 Dreams, for orchestra 1910 7 Two Poems, for female choir and orchestra 1909–10 8 Autumnal, for orchestra 1910, rev. 1915, 1934 9
Prokofiev's inexperience with ballet led him to revise the work extensively in the 1920s, following Diaghilev's detailed critique, [n 5] prior to its first production. [ 54 ] The ballet's premiere in Paris on 17 May 1921 was a huge success and was greeted with great admiration by an audience that included Jean Cocteau , Igor Stravinsky and ...
Compositions by Sergei Prokofiev published posthumously (7 P) Concertos by Sergei Prokofiev (1 C, 5 P) F. Films scored by Sergei Prokofiev (8 P) O.
On Guard for Peace (Russian: На страже мира, romanized: Na strazhe mira), also translated as On Guard of Peace, [1] Op. 124 is an oratorio by Sergei Prokofiev scored for narrators, mezzo-soprano, boy soprano, boys choir, mixed choir, and symphony orchestra.
Ivan the Terrible (Russian: Иван Грозный, romanized: Ivan Grozny), Op. 116, is the score composed by Sergei Prokofiev for Sergei Eisenstein's film Ivan the Terrible (1945) and its sequel (1958), the first two parts of an incomplete trilogy.
Based on a synopsis created by Adrian Piotrovsky (who first suggested the subject to Prokofiev) [1] and Sergey Radlov, the ballet was composed by Prokofiev in September 1935 to their scenario which followed the precepts of "drambalet" (dramatised ballet, officially promoted at the Kirov Ballet to replace works based primarily on choreographic display and innovation). [2]
Prokofiev's own style is noticeable in the way the themes step upward or downward into the neighboring keys before returning to the first one. This is especially true of the second theme of the first movement and of the gavotte. [4] Prokofiev wrote the symphony on holiday in the country, using it as an exercise in composing away from the piano. [5]
The Gambler (Prokofiev) The Giant (opera) L. The Love for Three Oranges; M. Maddalena (opera) S. Semyon Kotko; The Story of a Real Man; W. War and Peace (opera)