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Bourne's company reprised Red Shoes for an International tour at the end of 2019. [39] [41] Adam Cooper returned to New Adventures for the 2019 tour to reprise his erotic, dangerous swan role. [39] However, after a final performance at Wimbledon, the tour ended abruptly due to Covid 19 restrictions on March 14, 2020. [41]
Matthew Bourne, the creator of the dance adaptation of Edward Scissorhands, during the Australian tour in 2008. Bourne's all-male 1995 version of Swan Lake has become the longest-running ballet production and earned him the distinction as the only British director to become a winner of both the Tony Award for Best Direction of a Musical and the Tony Award for Best Choreography at the 53rd Tony ...
Best Choreography in Theatre (Matthew Bourne) Play Without Words: 2003 Win Best New Dance Production Cinderella: 2011 Nomination Outstanding Achievement in Dance (Lez Brotherston - Set Design & Costume) The Sleeping Beauty: 2013 Nomination Best Choreography in Theatre (Matthew Bourne) The Red Shoes: 2017 Win Best Entertainment The Red Shoes ...
A radical reworking of Shakespeare's "Romeo and Juliet" by acclaimed choreographer Matthew Bourne gets its North American premiere at the Ahmanson Theatre in L.A.
AD Matthew Bourne: 2002–present New York Baroque Dance Company: historical ballet New York City: United States: AD Catherine Turocy: 1976–present New York City Ballet: ballet New York City: United States: Founders George Balanchine & Lincoln Kirstein: 1948–present New York Theatre Ballet: ballet New York City: United States: Founder & AD ...
The Red Shoes is a ballet choreographed by Matthew Bourne using the music of Bernard Herrmann (1911–1975). It is based broadly on the 1948 film The Red Shoes by Michael Powell and Emeric Pressburger. The set and costume designs are by Lez Brotherston.
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Choreography: Matthew Bourne; Company: Adventures in Motion Pictures; Premiere: August 26, 1992, Edinburgh Festival, Edinburgh [65] In 1992, choreographer Matthew Bourne staged a new version of the ballet as part of a double-bill with Tchaikovsky's one-act opera Iolanta (presented by Opera North) to celebrate the centenary of both works. [66]