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[9] Tithonus's character offers a strong contrast to that of Ulysses. The two poems are matched and opposed as the utterances of Greek and Trojan, victor and vanquished, hero and victim. [10] According to critic William E. Cain, "Tithonus has discovered the curse of fulfillment, of having his carelessly worded wish come true.
The story of Tithonus was popular in archaic Greek poetry, though the reference to him in this poem seems out of place, according to Rawles. [16] However, Page duBois notes that the use of a mythical exemplum to illustrate the point of a poem, such as the story of Tithonus in this poem, is a characteristic feature of Sappho's poetry – duBois ...
Tithonus has been taken by the allegorist to mean ‘a grant of a stretching-out’ (from teinō and ōnė), a reference to the stretching-out of his life, at Eos’s plea; but it is likely, rather, to have been a masculine form of Eos’s own name, Titonë – from titō, ‘day [2] and onë, ‘queen’ – and to have meant ‘partner of the Queen of Day’.
Sappho 16 is a fragment of a poem by the archaic Greek lyric poet Sappho. [a] It is from Book I of the Alexandrian edition of Sappho's poetry, and is known from a second-century papyrus discovered at Oxyrhynchus in Egypt at the beginning of the twentieth century.
A papyrus manuscript preserving Sappho's "Fragment 5", a poem written in Sapphic stanzas The Sapphic stanza , named after the Ancient Greek poet Sappho , is an Aeolic verse form of four lines . Originally composed in quantitative verse and unrhymed, since the Middle Ages imitations of the form typically feature rhyme and accentual prosody.
End rhyme (aka tail rhyme): a rhyme occurring in the terminating word or syllable of one line in a poem with that of another line, as opposed to internal rhyme. End-stopping line; Enjambment: incomplete syntax at the end of a line; the meaning runs over from one poetic line to the next, without terminal punctuation.
A line break is the termination of the line of a poem and the beginning of a new line. The process of arranging words using lines and line breaks is known as lineation, and is one of the defining features of poetry. [2] A distinct numbered group of lines in verse is normally called a stanza. A title, in certain poems, is considered a line.
The personal nature of many of the verses of the Nine Lyric Poets led to the present sense of "lyric poetry" but the original Greek sense of "lyric poetry"—"poetry accompanied by the lyre" i.e. "words set to music"—eventually led to its use as "lyrics", first attested in Stainer and Barrett's 1876 Dictionary of Musical Terms. [5]