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Blind Willie McTell (born William Samuel McTier; May 5, 1898 – August 19, 1959) was an American Piedmont blues and ragtime singer, songwriter and guitarist. He played in a fluid, syncopated finger picking guitar style common among many East Coast, Piedmont blues players.
Blues musicians are musical artists who are primarily recognized as writing, performing, and recording blues music. [1] They come from different eras and include styles such as ragtime - vaudeville , Delta and country blues , and urban styles from Chicago and the West Coast . [ 2 ]
Released on his own Leola Music label, the album was a homage to the blues and ragtime musicians who had so influenced his playing. "Nearly all my guitar heroes are black, American, usually blind and most of 'em dead," McTell said. [13] All the tracks on Blue Skies Black Heroes were recorded as live takes, four with Danny Thompson on bass. The ...
He performed early ragtime on guitar, Piedmont blues, country blues, Delta blues and Chicago blues. A musician of great influence, he recorded frequently for Paramount Records. [11] Gabriel Brown (September 2, 1910 – May 7, 1960). Born in Florida, Brown was a country blues guitarist and singer.
Trice was born in Chapel Hill, North Carolina, probably in 1908; some sources state 1910 or 1911. [3] The family had moved to Raleigh by 1920. [1]Both of Trice's parents played music—his mother played the organ at church functions, and his father was a music teacher [3] —but it was mainly his uncle who taught Willie the rudiments of blues guitar playing.
The black musicians and composers of the Vaudeville era influenced what is now known as American musical comedy, jazz, blues and Broadway musical theater. The popular music of the time was ragtime, a lively form developed from black folk music prominently featuring piano and banjo. [38]
Ragtime influenced early jazz, [3] Harlem stride piano, Piedmont blues, and European classical composers such as Erik Satie, Claude Debussy, and Igor Stravinsky. Despite being overshadowed by jazz in the 1920s, ragtime has experienced several revivals, notably in the 1950s and 1970s (the latter renaissance due in large part to the use of "The ...
The dirty blues are good for dancing the slow drag, [15] while hokum, with its bouncy, ragtime-influenced [16] songs is intended for more lively dance style typical for the "mischievous branch" of music (similar to lundu, maxixe, xote, or samba). [15]