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Chicago XXVI: Live in Concert is a live album by the American band Chicago, their twenty-sixth album overall, released in 1999.Their second live album to be released in the US, it was Chicago's first of the sort since 1971's Chicago at Carnegie Hall and 1972's Live in Japan, though the band had released commercial VHS tapes of two concerts in the early 1990s.
Chicago at Carnegie Hall (also known as Chicago IV) is the first live album, and fourth album overall, by American band Chicago. It was initially released on October 25, 1971 by Columbia Records as a four- LP vinyl box set , and was also available for a time as two separate two-record sets.
Chicago is an American rock band formed in 1967 in Chicago, Illinois.The self-described "rock and roll band with horns" began as a politically charged, sometimes experimental, rock band and later moved to a predominantly softer sound, generating several hit ballads.
Chicago XXXIV: Live in '75 is a live album by the American band Chicago, their thirty-fourth album overall, recorded in 1975 and released in 2011.After releasing its eighth consecutive gold album in six years, Chicago embarked upon a stadium tour in 1975.
At one of his band’s shows in June, Grohl insinuated that the pop star does not sing live at her concerts. “You don’t want to suffer the wrath of Taylor Swift,” Grohl told the London crowd.
Download QR code; Print/export Download as PDF; Printable version; ... Chicago XXVI: Live in Concert; Chicago & Earth, Wind & Fire – Live at the Greek Theatre;
Soundstage is an American live concert television series produced by WTTW Chicago and HD Ready. The original series aired for 13 seasons between 1974 and 1985; a new series of seasons began in 2003, with the latest (Season 11) starting in April 2018, each presented in high-definition with surround sound.
The two concerts featured on Vertigo 2005: Live from Chicago were recorded and performed at the United Center in Chicago on 9–10 May 2005. The audio of the concerts was recorded by Robbie Adams and was produced and mixed by Carl Glanville, who had recorded most of the songs on How to Dismantle an Atomic Bomb , with mastering by Arnie Acosta.