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I Know Who Holds Tomorrow Suppertime 1951: Beyond Tomorrow 1952: A Crown Of Thorns 1953: Follow Me Just Tell Them When You Saw Me I Was On My Way 1954: Inside Those Pearly Gates 1955: He Washed My Eyes With Tears 1958: I Walk With His Hand In Mine 1959: Unworthy 1961: The Choice Is Mine 1968: Happiness Is The Lord 1972: If I've Forgotten Today 1975
I Know Who Holds Tomorrow is an album by American violinist/singer Alison Krauss and the Cox Family, released in 1994. At the Grammy Awards of 1995 , I Know Who Holds Tomorrow won the Grammy Award for Best Southern, Country or Bluegrass Gospel Album .
I Know Who Holds Tomorrow: Release date: January 28, 1994; Label: Rounder Records — — Beyond the City: Release date: April 25, 1995; Label: Rounder Records — — Just When We're Thinking It's Over: Release date: July 30, 1996; Label: Asylum Records — — Gone Like the Cotton: Release date: October 23, 2015; Label: Rounder Records; 1 23
Name of song, performer(s), writer(s), original release and year of release Song Performer(s) Writer(s) Album Year Ref(s). "88 Degrees" Black Rose Phil Brown Black Rose: 1980 [10] "After All" Cher and Peter Cetera: Tom Snow Dean Pitchford: Heart of Stone: 1989 [11] "Again" Cher Joe Allen Cherished: 1977 [12] "Alfie" (originally by Cilla Black ...
Block has written songs for Union Station and for his own solo albums. His songs have been recorded by Randy Travis, Rhonda Vincent, Michael W. Smith, and The Cox Family. [3] Block names as two of his favorites "A Living Prayer" and "There is a Reason," both recorded with Alison Krauss & Union Station, both dealing with his Christian faith. [4]
Writer(s) Length; 1. "I Know Who Holds Tomorrow" Ira Stanphill: 2:20: 2. "He Knows Just What I Need" Mosie Lister: 1:49: 3. "Now I Belong to Jesus" Norman Clayton ...
This is a set category.It should only contain pages that are Alison Krauss albums or lists of Alison Krauss albums, as well as subcategories containing those things (themselves set categories).
AllMusic editor Michael Gallucci found that "on her second album, [Price] goes through many R&B motions – over-singing, pallid bedroom songs, tuneless tales – but still manages to sound like a genuinely thrilled diva in the process.