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Illusionistic ceiling painting, which includes the techniques of perspective di sotto in sù and quadratura, is the tradition in Renaissance, Baroque and Rococo art in which trompe-l'œil, perspective tools such as foreshortening, and other spatial effects are used to create the illusion of three-dimensional space on an otherwise two ...
Stratus clouds may also form from formation mechanisms that are not typical for the cloud type, for example, Stratus homogenitus, which are stratus formed by human activity, Stratus cataractagenitus, which are formed from the spray of waterfalls, and Stratus silvagenitus, which are formed by evaporation or evapotranspiration occurring in a forest.
Some surviving examples are beautifully decorated. The opening in the ceiling above the pool (compluvium) called for some means of support for the roof, and it is here where one differentiates between five different styles of atrium. As the centrepiece of the house, the atrium was the most lavishly furnished room.
The city is built on a lagoon in northern Italy. The humidity and the rise of water over the centuries have created a phenomenon known as rising damp. As the lagoon water rises and seeps into the foundation of a building, the water is absorbed and rises up through the walls often causing damage to frescoes.
A 1740 map of Paris. Ortelius World Map, 1570. Historical geography is the branch of geography that studies the ways in which geographic phenomena have changed over time. [1] In its modern form, it is a synthesizing discipline which shares both topical and methodological similarities with history, anthropology, ecology, geology, environmental studies, literary studies, and other fields.
In architecture, a cupola (/ ˈ k (j) uː p ə l ə /) [1] is a relatively small, usually dome-like structure on top of a building [2] often crowning a larger roof or dome. [ 3 ] [ 4 ] Cupolas often serve as a roof lantern to admit light and air or as a lookout.
A painted ceiling is a ceiling covered with an artistic mural or painting. They are usually decorated with fresco painting, mosaic tiles and other surface treatments. While hard to execute (at least in situ) a decorated ceiling has the advantage that it is largely protected from damage by fingers and dust.
The second hall is similar to the first, first its ceiling seems to have been decorated with similar if not identical patterns and images as the first. Second, in the same way the ceiling is supported by columns, four to be precise, ordered in two rows on the same axis as those of the first hall, with a 3 m wide space between them.