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Tones are created by applying both a shade and a tint. The order in which the two operations are performed does not matter, with the following restriction: when a tint operation is performed on a shade, the intensity of the dominant color becomes the "full intensity"; that is, the intensity value of the dominant color must be used in place of 255.
Some tints and shades of blue. In color theory, a tint is a mixture of a color with white, which increases lightness, while a shade is a mixture with black, which increases darkness. Both processes affect the resulting color mixture's relative saturation. A tone is produced either by mixing a color with gray, or by both tinting and shading. [1]
The CIE 1931 xy chromaticity space, also showing the chromaticities of black-body light sources of various temperatures, and lines of constant correlated color temperature sRGB gamut plotted in xyY color space (chromaticity + luminosity) Chromaticity is an objective specification of the quality of a color regardless of its luminance.
In the film and graphics industries, 3D lookup tables (3D LUTs) are used for color grading and for mapping one color space to another. They are commonly used to calculate preview colors for a monitor or digital projector of how an image will be reproduced on another display device, typically the final digitally projected image or release print ...
The concept of a color system with a hue was explored as early as 1830 with Philipp Otto Runge's color sphere. The Munsell color system from the 1930s was a great step forward, as it was realized that perceptual uniformity means the color space can no longer be a sphere. As a convention, the hue for red is set to 0° for most color spaces with ...
Magenta is variously defined as a purplish-red, reddish-purple, or a mauvish–crimson color. On color wheels of the RGB and CMY color models, it is located midway between red and blue, opposite green. Complements of magenta are evoked by light having a spectrum dominated by energy with a wavelength of roughly 500–530 nm.
Researchers use daylight as the benchmark to which to compare color rendering of electric lights. In 1948, daylight was described as the ideal source of illumination for good color rendering because "it (daylight) displays (1) a great variety of colors, (2) makes it easy to distinguish slight shades of color, and (3) the colors of objects around us obviously look natural".
Colorimetry is "the science and technology used to quantify and describe physically the human color perception". [1] It is similar to spectrophotometry, but is distinguished by its interest in reducing spectra to the physical correlates of color perception, most often the CIE 1931 XYZ color space tristimulus values and related quantities.