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A scripture index to CH4 is provided by George K. Barr, Selecting Hymns from CH4, no publisher, no ISBN, 2005. In February 2008 Canterbury Press released a version of CH4 for the wider church, called Hymns of Glory, Songs of Praise, featuring the same content as CH4 under a different cover. This has proved popular in some liberal Anglican ...
Pages in category "Scottish Christian hymns" The following 8 pages are in this category, out of 8 total. This list may not reflect recent changes. A. Abide with Me;
The Dunblane consultations, informal meetings at the ecumenical Scottish Church House in Dunblane in 1961–69, attempted to produce modern hymns that retained theological integrity. They resulted in the British "Hymn Explosion" of the 1960s, which produced multiple collections of new hymns. [43]
Growing divisions in the Scottish kirk between the Evangelicals and the Moderate Party resulted in attempt to expand psalmondy to include hymns the singing of other scriptural paraphrases. From the late seventeenth century Church music in the Church of Scotland consisted of the singing of psalms to a limited number of common tunes.
Lining out or hymn lining, called precenting the line in Scotland, is a form of a cappella hymn-singing or hymnody in which a leader, often called the clerk or precentor, gives each line of a hymn tune as it is to be sung, usually in a chanted form giving or suggesting the tune.
In an article tracing the sources of the Gaelic hymns in Fr. Allan MacDonald's 1893 Catholic hymnal, John Lorne Campbell states the following concerning the melody of Tàladh ar Slànaigheir, which survived only in the Outer Hebrides, "The tune is said to be "Cumha Mhic Arois" in all these early printed sources, but the hymn is now sung to an ...
The Scottish church where Queen Elizabeth II worshipped has hosted the BBC’s Songs Of Praise programme for the first time to mark the second anniversary of her death.
"The Summons" is set to the tune of Kelvingrove, a traditional Scottish melody. Its text contains thirteen questions asked by Jesus in the first person. [5] [6] The initial four stanzas with the questions are in Jesus' voice, and the fifth stanza is the singer's response to them. [1]