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The utilization of thin stone veneer for complete facades of buildings popped up in the 1940s. Stone veneer construction became much of what we see today in the 1950s. Transportation improved, so stone veneer was transported more efficiently and at lower costs than ever before. Methods to attach veneer to steel were developed; diamond-bladed ...
Flexible stone veneer is made from a thin layer of stone stripped or peeled from a metamorphic stone marble chips or slab, rather than cutting from a solid stone or precast composite material. Thin veneers (from .5mm to 2mm thick) of slate, schist, or sandstone ( metamorphic rocks ) are pulled away from the original thicker stone slabs by ...
Because the masonry veneer is non-structural, it must be tied back to the building structure to prevent movement under wind and earthquake loads. Brick ties are used for this purpose, and may take the form of corrugated metal straps nailed or screwed to the structural framing, or as wire extensions to horizontal joint reinforcement in a fully masonry veneer or cavity wall.
In September 2007, Rolling Stone Japan rated Satori #71 on their list of the "100 Greatest Japanese Rock Albums of All Time". [12] Satori topped musician and author Julian Cope's top 50 albums of Japanese rock, as found in his 2007 book Japrocksampler. Calling it one of the all-time great "hard-rock rages to have been unleashed upon the world ...
Satori is a jazz album by saxophonist Lee Konitz. It was originally released in 1975 on Milestone label as MSP 9060 and remastered in 1997. The album features some classic jazz standards besides other experimental compositions such as "Satori". Three of the seven tracks are Konitz compositions. [3] [4]
Travertine is a sedimentary rock formed by the chemical precipitation of calcium carbonate minerals from fresh water, [4] typically in springs, rivers, and lakes; [5] [6] that is, from surface and ground waters. [7]
Satori is the raison d'être of Zen, without which Zen is not Zen. Therefore every contrivance, disciplinary and doctrinal, is directed towards satori. [11] This view is typical of Rinzai, which emphasizes satori. The Sōtō school rejects this emphasis, and instead emphasizes "silent illumination" through the practice of zazen.
The famous torii at Itsukushima Shrine. A torii (Japanese: 鳥居, ) is a traditional Japanese gate most commonly found at the entrance of or within a Shinto shrine, where it symbolically marks the transition from the mundane to the sacred, [1] and a spot where kami are welcomed and thought to travel through.