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An optical illusion by the Hungarian-born artist Victor Vasarely in Pécs (1977). Op art ceramic mosaics by Wojciech Fangor in a railway station in Warsaw in Poland (1963). Op art in modern architecture as a mosaic, painting with enamel paint on steel by Stefan Knapp in University of Toruń in Poland (1972).
Optical illusion is also used in film by the technique of forced perspective. Op art is a style of art that uses optical illusions to create an impression of movement, or hidden images and patterns. Trompe-l'œil uses realistic imagery to create the optical illusion that depicted objects exist in three dimensions.
The Hollow-Face illusion is an optical illusion in which the perception of a concave mask of a face appears as a normal convex face. Hybrid image: A Hybrid image is an optical illusion developed at MIT in which an image can be interpreted in one of two different ways depending on viewing distance. Illusory contours
Ceiling of the Treasure Room of the Archaeological Museum of Ferrara, Italy, painted in 1503–1506. Trompe-l'œil (French for 'deceive the eye'; / t r ɒ m p ˈ l ɔɪ / tromp-LOY; French: [tʁɔ̃p lœj] ⓘ) is an artistic term for the highly realistic optical illusion of three-dimensional space and objects on a two-dimensional surface.
Vasarely eventually went on to produce art and sculpture using optical illusion. Over the next three decades, Vasarely developed his style of geometric abstract art, working in various materials but using a minimal number of forms and colours: 1929–1944: Early graphics: Vasarely experimented with textural effects, perspective, shadow, and light.
Art historians say Leonardo da Vinci hid an optical illusion in the Mona Lisa's face: she doesn't always appear to be smiling. There's question as to whether it was intentional, but new research ...
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Maurits Cornelis Escher (/ ˈ ɛ ʃ ər /; [1] Dutch: [ˈmʌurɪts kɔrˈneːlɪs ˈɛɕər]; 17 June 1898 – 27 March 1972) was a Dutch graphic artist who made woodcuts, lithographs, and mezzotints, many of which were inspired by mathematics. Despite wide popular interest, for most of his life Escher was neglected in the art world, even in ...