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Wiegenlied" ("Lullaby"; "Cradle Song"), Op. 49, No. 4, is a lied for voice and piano by Johannes Brahms which was first published in 1868. It is one of the composer's most famous pieces. It is one of the composer's most famous pieces.
The celebrated violinist Joachim, who also played viola, married Amalie Schneeweiss in 1863. She appeared as a contralto singer under the stage name Amalie Weiss. Both were friends of Brahms, who composed the song "Geistliches Wiegenlied" for the occasion of their wedding; he withdrew it but sent it again a year later for the baptism of their son, named Johannes after Brahms.
The Three Intermezzi for piano, Op. 117, are a set of solo piano pieces composed by Johannes Brahms in 1892. They show Brahms' interest in lullaby; in particular, Brahms told a friend that they were "three lullabies of my grief". [1] They consist of: [2] No. 1 in E♭ major, Andante moderato; No. 2 in B♭ minor, Andante non troppo e con molta ...
"Die Blümelein, sie schlafen" is the first line of the German lullaby "Sandmännchen" , from Anton Wilhelm von Zuccalmaglio's collection Deutsche Volkslieder (1840). The melody is based on a French song from the late 1500s which was also used for the Christmas carol " Zu Bethlehem geboren " (1638) to a text by Friedrich Spee .
Various lost arrangements by Brahms of other composers' works see [6] for list A. 3/14-19: Various sketches and sketchbooks see [6] for list A. 5a/1-3: Various collections of folk songs, notated by Brahms see [6] for list A. 5a/4-21: Various transcripts of other composers' works, notated by Brahms see [6] for list A. 5b/1-3: Various autograph ...
Brahms yet again diverts the movement back into its principal tempo (bar 194) and thereafter to its peaceful close. The third movement contains very light articulated sections, very similar in character to the Slavonic Dances of Brahms' contemporary, Dvořák. This lighter element provides a contrast to the previous two movements.