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Recto page from a rare Blackletter Bible (1497). The canons of page construction are historical reconstructions, based on careful measurement of extant books and what is known of the mathematics and engineering methods of the time, of manuscript-framework methods that may have been used in Medieval- or Renaissance-era book design to divide a page into pleasing proportions.
In 1961, Danish Egyptologist Erik Iverson described a canon of proportions in classical Egyptian painting. [2] This work was based on still-detectable grid lines on tomb paintings: he determined that the grid was 18 cells high, with the base-line at the soles of the feet and the top of the grid aligned with hair line, [3] and the navel at the eleventh line. [4]
This canon is also known as the "secret canon" used in many medieval manuscripts and incunabula. The page proportions vary, but most commonly used is the 2:3 proportion. In this canon the text area and page size are of same proportions, and the height of the text area equals the page width. Date: 13 August 2006: Source
Body proportions is the study of artistic anatomy, which attempts to explore the relation of the elements of the human body to each other and to the whole. These ratios are used in depictions of the human figure and may become part of an artistic canon of body proportion within a culture.
Around 455 B.C., Myron, a sculptor of the transition, created his Discobolus, a work that already shows a more advanced degree of naturalism, and soon after, around 450 B.C., Polykleitos consolidated a new canon of proportions, a synthesis that convincingly expressed the beauty, harmony and vitality of the body and gave it an aspect of eternity ...
The Van de Graaf canon, used in book design to divide a page in pleasing proportions, was popularized by Jan Tschichold in his book The Form of the Book. Depiction of the proportions in a medieval manuscript. According to Jan Tschichold: "Page proportion 2:3. Margin proportions 1:1:2:3. Text area proportioned in the Golden Section." [8]
The renowned Greek sculptor Polykleitos designed a sculptural work as a demonstration of his written treatise, entitled the Κανών (or 'Canon'), translated as "measure" or "rule"), exemplifying what he considered to be the perfectly harmonious and balanced proportions of the human body in the sculpted form.
The Getty Bronze is believed by some to be Lysippos's work, or at least a copy, because the detail on it is consistent with his style of work and his canon of proportions. Lysippos's work is described by ancient sources as naturalistic with slender and often lengthened proportions, often with exaggerated facial features. [16]