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Igbo highlife is a contemporary musical genre that combines highlife and Igbo traditional music. The genre is primarily guitar-based music, with a rare characteristic blend of horns and vocal rhythms. [1] [2] Igbo highlife lyrics are sung mostly in Igbo with occasional infusion of Pidgin English. [3]
This is a list of notable Nigerian highlife musicians arranged in alphabetical order. There are several other genres of music in Nigeria these include Ikorodo , Igbo gospel , Owerri Bongo , Fuji music , Ekpili Jùjú music , Apala , Were music and Highlife .
The song's beats are said to resemble the popular four-beat of house music, but in fact follows the 3–2 or 2–3 of Afrobeats. This beat is known as the clave and mixes a rhythm with a normal 4/4 beat, it is commonly seen in many forms West African music.
The Rough Guide to Highlife is a world music compilation album originally released in 2003. Part of the World Music Network Rough Guides series, the release covers the Highlife musical genre of Ghana and surrounding countries, focusing on the 1960s and 70s. [ 1 ]
Highlife is a Ghanaian music genre that originated along the coastal cities of present-day Ghana in the 19th century, during its history as a colony of the British and through its trade routes in coastal areas.
Afrobeat was influenced by a combination of different genres, such as highlife, fuji, and jùjú, [17] as well as Yoruba vocal traditions, rhythm, and instruments. [18] In the late 1950s, Kuti left Lagos to study abroad at the London School of Music, where he took lessons in piano [19] and percussion [20] and was exposed to jazz.
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Ghanaian highlife emerged in the 1980s as a mixture of West African rhythms from Europe by Black people from south and North America. [ 1 ] [ 2 ] There were three forms of Ghanaian highlife: Adaha