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The Geographer (Dutch: De geograaf) is a painting created by Dutch artist Johannes Vermeer in 1668–1669, and is now in the collection of the Städel museum in Frankfurt, Germany. It is closely related to Vermeer's The Astronomer , for instance using the same model in the same dress, and has sometimes been considered a pendant painting to it.
The Geographer used the same model and other elements as The Astronomer. Portrayals of scientists were a favourite topic in 17th-century Dutch painting [1] and Vermeer's oeuvre includes both this astronomer and the slightly later The Geographer. Both are believed to portray the same man, [2] [3] [4] possibly Antonie van Leeuwenhoek. [5]
Johannes Vermeer (/ v ər ˈ m ɪər, v ər ˈ m ɛər / vər-MEER, vər-MAIR, Dutch: [joːˈɦɑnəs fərˈmeːr]; see below; also known as Jan Vermeer; October 1632 – 15 December 1675) was a Dutch painter who specialized in domestic interior scenes of middle-class life. He is considered one of the greatest painters of the Dutch Golden Age.
Girl Reading a Letter at an Open Window (Dutch: Brieflezend meisje bij het venster), also known as Lady reading at an open window, [1] is an oil painting by Dutch Golden Age painter Johannes Vermeer. Completed in approximately 1657–1659, the painting is on display at the Gemäldegalerie in Dresden , which has held it since 1742.
Detail of the painting The Procuress (c. 1656), proposed self portrait by Vermeer [1] The following is a list of paintings by Johannes Vermeer (1632–1675), a Dutch Golden Age painter. After two or three early history paintings, he concentrated almost entirely on genre works, typically interiors with one or two figures. Vermeer's paintings of ...
Johannes Vermeer catalog raisonné, 1908, 5 Illustrated catalogue of 300 paintings by old masters of the Dutch, Flemish, Italian, French and English schools , 87 Catalogue des objets d'art au palais de San Donato le 15 mars 1880 , 1124
The Concert (Dutch: Het concert) (c. 1664) is a painting by the Dutch artist Johannes Vermeer depicting a man and two women performing music. It was stolen on March 18, 1990, from the Isabella Stewart Gardner Museum in Boston and remains missing. [1]
After Vermeer's Christ in the House of Martha and Mary and The Procuress it is his largest work. This illusionistic painting is one of Vermeer's most famous. In 1868 Thoré-Bürger, known today for his rediscovery of the work of painter Johannes Vermeer, regarded this painting as his most interesting.