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GLANTZ, Margo, «De Narciso a Narciso, o de Tirso a Sor Juana: El vergonzoso en palacio y Los empeños de una casa», El escritor y la escena: actas del I Congreso de la Asociación Internacional de Teatro Español y Novohispano de los Siglos de Oro, 18–21 March 1992, México, University of the City of Juárez, 1993. ISBN 968-6287-52-3.
The House Must Be Unmade (Spanish: Hay que deshacer la casa) [1] is a 1986 Spanish comedy film directed by José Luis García Sánchez from a screenplay co-written by Rafael Azcona based on the play by Sebastián Junyent. [2] [3] It stars Amparo Rivelles and Amparo Soler Leal.
La palabra rebelada/revelada: el poder de contarnos, ediciones 'Femlibro', 2011, ISBN 9780981608686 / Capítulo II: Viaje en la nube de la escritura (de Aurora Arias), pp. 56-95. Emily A. Maguire, Ciudad insana: la locura femenina en los cuentos urbanos de Aurora Arias, sitio digital 'Academia / Estudios 17:33', 2009, pp. 127-144.
The House of Flowers Presents: The Funeral (Spanish: La Casa de las Flores: El funeral) is a 2019 special of the Mexican dark comedy telenovela The House of Flowers.It was released on November 1, 2019, without any forewarning, as a separate short film on the Netflix streaming platform where the television series airs.
"The Trailer for House of Flowers a.k.a. La Casa de Las Flores Season 2 is Hilarious". O, The Oprah Magazine; Puentes, Patricia (2019c). "La casa de las flores 2: Todo lo que necesitas saber de su nueva temporada" [La casa de las flores 2: All you need to know about the new season]. CNET en Español (in Spanish)
Bartolomé de las Casas, OP (US: / l ɑː s ˈ k ɑː s ə s / lahss KAH-səss; Spanish pronunciation: [baɾtoloˈme ðe las ˈkasas]); 11 November 1484 [1] – 18 July 1566) was a Spanish clergyman, writer, and activist best known for his work as an historian and social reformer.
Elia Alba. Los Quehaceres del Agua (Water´s Endeavours) / Mónica Ferreras. La Verticalidad del Círculo (The Verticality of the Circle) / Charo Oquet. Una Sirena en el Reino de este Mundo (A Mermaid in the Kingdom of this World). In: Arte Contemporáneo Dominicano. Casa de América-Turner. Madrid, 2002, pp. 30–33, 66–71. 106–110.
Quehaceres e Invenciones (1963) brought Berenguer sudden fame and praise, emboldening her search for new poetic structures to express her unique vision of art and the world. In 1986 she received the "Reencuentro de Poesía" prize from the University of the Republic, Uruguay for her work Los signos sobre la mesa.