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This list of fonts contains every font shipped with Mac OS X 10.0 through macOS 10.14, including any that shipped with language-specific updates from Apple (primarily Korean and Chinese fonts). For fonts shipped only with Mac OS X 10.5, please see Apple's documentation.
Chicago (1984 by Susan Kare, pre-Mac OS 8 system font, also used by early iPods) Geneva (1984 by Susan Kare), sans-serif font inspired by Helvetica. Converted to TrueType format and still installed on Macs. Espy Sans (1993, EWorld, Apple Newton and iPod Mini font, known as System on the Apple Newton platform) System (1993, see Espy Sans)
Andalé Mono (for technical reasons also Andale Mono) is a monospaced sans-serif typeface designed by Steve Matteson for terminal emulation and software development environments, originally for the Taligent project by Apple Inc. and IBM. [1]
Apple Symbols is a font introduced in Mac OS X 10.3 “Panther”. This is a TrueType font intended to provide coverage for characters defined as symbols in the Unicode Standard. It continues to ship with Mac OS X as part of the default installation. Prior to Mac OS X 10.5, its path was /Library/Fonts/Apple Symbols.ttf.
In addition to the data-fork version of TrueType and the Adobe/Microsoft OpenType fonts, Mac OS X also supports Apple's own data-fork-based TrueType format, called data-fork suitcases with the filename extension .dfont. Data-fork suitcases are old-style Mac TrueType fonts with all the data from the resource fork transferred unchanged to the ...
Font Book is opened by default whenever the user clicks on a new .otf or .ttf font file. The user can view the font and install it, at which point the font will be copied to a centralized folder of user-installed fonts and be available for all apps to use. [1] It can be used to browse all installed fonts.
Arial is a sans-serif typeface in the neo-grotesque style.Fonts from the Arial family are included with all versions of Microsoft Windows after Windows 3.1, as well as in other Microsoft programs, [2] Apple's macOS, [3] and many PostScript 3 printers. [4]
AAT also supports variation fonts, [6] in which a font's shape can vary depending on a scaled value supplied by the user. Variation fonts are similar to Adobe's defunct Multiple master fonts, where the endpoints are defined and any medial value is valid. With this, the user can then drag sliders in the user interface to make glyphs taller or ...