Search results
Results From The WOW.Com Content Network
Brecht, in his typical anti-realist style, uses the device of a "play within a play".The "frame" play is set in the Soviet Union around the end of the Second World War.It shows a dispute between two communes, the Collective Fruit Farm Galinsk fruit growing commune and the Collective Goat Farmers, over who is to own and manage an area of farm land after the Nazis have retreated from a village ...
The Decision (play) Don Juan (Brecht) Downfall of the Egotist Johann Fatzer; Downfall of the Egotist Johann Fatzer (American premiere) Driving Out a Devil; Drums in the Night; The Duchess of Malfi (Brecht)
Eugen Berthold Friedrich Brecht [a] (10 February 1898 – 14 August 1956), known as Bertolt Brecht and Bert Brecht, was a German theatre practitioner, playwright, and poet.. Coming of age during the Weimar Republic, he had his first successes as a playwright in Munich and moved to Berlin in 1924, where he wrote The Threepenny Opera with Elisabeth Hauptmann and Kurt Weill and began a life-long ...
Neither does Brecht's ending of his play inspire any desire to imitate the main character, Mother Courage. Mother Courage is among Brecht's most famous plays. Some directors consider it to be the greatest play of the 20th century. [7] Brecht expresses the dreadfulness of war and the idea that virtues are not rewarded in corrupt times.
Stripling: What was that ideal, Mr Brecht? Brecht: The idea in the old play was a religious idea. This young people – Stripling: Did it have to do with the Communist Party? Brecht: Yes. Stripling: And discipline within the Communist Party? Brecht: Yes, yes, it is a new play, an adaptation. —"From the Testimony of Bertolt Brecht" [32]
Bertolt Brecht in 1954. Epic theatre (German: episches Theater) is a theatrical movement that arose in the early to mid-20th century from the theories and practice of a number of theatre practitioners who responded to the political climate of the time through the creation of new political dramas.
The V-Effect (also known as the Verfremdungseffekt) was one of Brecht's earlier techniques that aimed to distance or alienate the audience from connecting to the play from an emotional standpoint. [5] Brecht does this by constantly reminding his audience of the artificiality of theatrical performance by implementing various abrasive reminders ...
Man Equals Man (German: Mann ist Mann), or A Man's a Man, is a play by the German modernist playwright Bertolt Brecht. One of Brecht's earlier works, it explores themes of war, human fungibility, and identity. [1]