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Govardhan, Emperor Jahangir visiting the ascetic Jadrup, c. 1616–1620 [1]. Mughal painting is a South Asian style of painting on paper made in to miniatures either as book illustrations or as single works to be kept in albums (), originating from the territory of the Mughal Empire in the Indian subcontinent.
Genealogical paintings of this sort, emphasizing the rulers' lineage, are known in Mughal art, and one of the most famous examples of this is the Princes of the House of Timur in the British Museum. [4] The painting is one of the last works of the Bijapur school of miniature painting, representing the final phase of the style.
This painting's image measures 197 x 128.5 cm and is the largest known Mughal painting. Gouache with gold on fine cotton Squirrels in a Plane Tree: c. 1610 British Library: One of the most famous painting associated with Abu al-Hasan's name, Squirrels in a Plane Tree, is a depiction of animal posture and
Indian miniature paintings are a class of paintings originating from India. [1] Made on canvases a few inches in length and width, the Indian miniatures are noted for the amount of details that the artist encapsulates within the minute canvas frame; and the characteristic sensitivity with which the human, divine and natural forms are portrayed.
Barbad Plays for Khusraw, Khamsa of Nizami, British Library, Oriental 2265, 1539–43, inscribed Mirza Ali at bottom left. 'Abd al-Ṣamad or Khwaja 'Abd-us-Ṣamad was a 16th century painter of Persian miniatures who moved to India and became one of the founding masters of the Mughal miniature tradition, and later the holder of a number of senior administrative roles.
Tutinama (Persian: طوطینامه), literal meaning "Tales of a Parrot", is a 14th-century series of 52 stories in Persian.The work remains well-known largely because of a number of lavishly illustrated manuscripts, especially a version containing 250 miniature paintings commissioned by the Mughal Emperor Akbar in the 1550s.
The Gulshan album was an early project of the cultured Mughal emperor Jahangir (r. 1605–1627). [7] Based on internal inscriptions, the collection was probably begun about 1599, while Jahangir was still Prince Salim, governor of Allahabad and son of the ageing Emperor Akbar, and continued till about 1609. [6]
The birds or animals are in a standing posture or in a feeding stance. He often used plants and insects in the background and the floral borders, characteristic of Mughal works may help in identifying his works. [11] The most significant paintings, in terms of zoology, are those of the Siberian crane and the dodo.