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In his fourth year in Leipzig, Bach wrote the cantata for the 21st Sunday after Trinity. [2] The prescribed readings for the Sunday were from Paul's Epistle to the Ephesians, "take unto you the whole armour of God" (Ephesians 6:10–17), and from the Gospel of John, the healing of the nobleman's son (John 4:46–54).
Bach wrote Komm, du süße Todesstunde for the 16th Sunday after Trinity. The prescribed readings for that Sunday were from the Epistle to the Ephesians, about the strengthening of faith in the congregation of Ephesus (Ephesians 3:13–21), and from the Gospel of Luke, about the raising from the dead of the young man from Nain (Luke 7:11–17). [7]
Aus tiefer Not schrei ich zu dir (Out of deep anguish I call to You), [1] BWV 38, is a church cantata by Johann Sebastian Bach, composed in Leipzig in 1724 for the 21st Sunday after Trinity and first performed on 29 October 1724.
Trinity Sunday, last of the feasts tied to the date of Easter, is the last Sunday before the time after Trinity, or the first Sunday of the time after Pentecost. Readings Romans 11:33–36, depth of wisdom John 3:1–15, the meeting of Jesus and Nicodemus Hymns "Gott der Vater wohn uns bei" [2]
For example, "Advent III" is the third Sunday in Advent and "Trinity V" is the fifth Sunday after Trinity. The number of Sundays after Epiphany and Trinity varies with the position of Easter in the calendar. There can be between 22 and 27 Sundays after Trinity. The maximum number of Sundays after Epiphany did not occur while Bach wrote cantatas.
The Sundays after Trinity are numbered using roman numerals (for example "Trinity II" for the second Sunday after Trinity). The high holidays Christmas , Easter and Pentecost were celebrated for three days, indicated by numbers for the second and third day, for example "Easter 3" for the third day of Easter.
The late church cantatas by Johann Sebastian Bach are sacred cantatas he composed after his fourth cycle of 1728–29. Whether Bach still composed a full cantata cycle in the last 20 years of his life is not known, but the extant cantatas of this period written for occasions of the liturgical year are sometimes referred to as his fifth cycle, as, according to his obituary, he would have ...
Bach took office in the middle of the liturgical year, on the first Sunday after Trinity. In Leipzig, cantata music was expected on Sundays and on feast days, except during the "silent periods" ("tempus clausum") of Advent and Lent. In his first twelve months in office, Bach decided to compose new works for almost all liturgical events.