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  2. Yamaha Portasound - Wikipedia

    en.wikipedia.org/wiki/Yamaha_Portasound

    As of 2015, musician Dan Friel continues to use a Portasound that he received as a gift in 1984. [4] Circa 2017, Italian artist Modula released an EP called 780's Chronicles, recorded primarily using a Yamaha PSS780. [5] Cyril Hahn uses a Yamaha PSS380 in his original compositions, and notes its noise profile as an endearing characteristic. [6]

  3. List of Yamaha Corporation products - Wikipedia

    en.wikipedia.org/wiki/List_of_Yamaha_Corporation...

    The Yamaha WX5, WX11, and WX7 are ... PortaSound PSS series. PSS-50. PSS-270. PSS-6 ... PSS-26 (1995) PSS-30 (1982) [42] PSS-50 (1990, FM with realitime sliders)

  4. List of sound chips - Wikipedia

    en.wikipedia.org/wiki/List_of_sound_chips

    Japanese Master System, Sega Mark III, MSX (in MSX Music cartridges like the FM-PAC, and internally in several Japanese models by Panasonic, Sony and Sanyo), Yamaha Portasound digital keyboards (PSS-140, PSS-170, PSS-270) Silicon-gate NMOS LSI chip [69] [33] [63] YM2604 (OPS2) / YM3609 (EGM) 1986 96 16 6 Yamaha DX7 II and TX802 digital synthesizers

  5. Yamaha PC-50 - Wikipedia

    en.wikipedia.org/wiki/Yamaha_PC-50

    The Yamaha PortaSound PC-50 is an entry-level portable musical keyboard produced by the Yamaha Corporation in 1983. [1] ... Yamaha PC-50 Owner's Guide at manufacturer ...

  6. Yamaha Corporation - Wikipedia

    en.wikipedia.org/wiki/Yamaha_Corporation

    In the late 1990s, Yamaha released a series of portable battery operated keyboards under the PSS and the PSR range of keyboards. The Yamaha PSS-14 and PSS-15 keyboards were upgrades to the Yamaha PSS-7 with short demo songs, short selectable phrases, and sound effects. [13] In 2002, Yamaha closed its archery product business that was started in ...

  7. Portastudio - Wikipedia

    en.wikipedia.org/wiki/Portastudio

    Tascam Portastudio 244, 1982. The first Portastudio, the TEAC 144, was introduced on September 22, 1979 at the AES Convention in New York City. [5] The 144 combined a 4-channel mixer with pan, treble, and bass on each input with a cassette recorder capable of recording four tracks in one direction at 3¾ inches per second (double the normal cassette playback speed) in a self-contained unit ...