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The stele was found in three large fragments and reconstructed. [17] It is 225 cm (7 ft 4 + 1 ⁄ 2 in) high, with a circumference is 165 cm (5 ft 5 in) at the summit and 190 cm (6 ft 3 in) at the base. [17] Hammurabi's image is 65 cm (2 ft 1 + 1 ⁄ 2 in) high and 60 cm (1 ft 11 + 1 ⁄ 2 in) wide. [17]
A carving at the top of the stele portrays Hammurabi receiving the laws from Shamash, the Babylonian god of justice, [32] and the preface states that Hammurabi was chosen by Shamash to bring the laws to the people. [33] Because of Hammurabi's reputation as a lawgiver, his depiction can be found in law buildings throughout the world.
The upper part of the stele of Hammurabi's code of laws. The legal code was a common feature of the legal systems of the ancient Middle East. Many of them are examples of cuneiform law. The oldest evidence of a code of law was found at Ebla, in modern Syria (c. 2400 BC). [1]
In 1901 he discovered Hammurabi's Law Code at Susa, of which, he subsequently translated and published the 250 articles of the stele containing approximately 3600 lines; [2] [3] La loi de Hammourabi (vers 2000 av. J.-C.), (1904).
Hammurabi (standing), depicted as receiving his royal insignia from Shamash (or possibly Marduk). Hammurabi holds his hands over his mouth as a sign of prayer [10] (relief on the upper part of the stele of Hammurabi's code of laws).
The Code of Hammurabi stele was probably erected at Sippar. Shamash was the god of justice, and he is depicted handing authority to the king in the image at the top of the stele. By the end of the 19th century BC, Sippar was producing some of the finest Old Babylonian cylinder seals.
Shutruk-Nakhkhunte raided Babylonia, carrying home to Susa trophies like the statues of Marduk and Manishtushu, the Manishtushu Obelisk, the Stele of Hammurabi and the stele of Naram-Sin. [1] With these trophies, he attempted to give a new aura to Elam, as the conqueror of Babylonia. [1]
The best known example of the symbol is seen on the Code of Hammurabi stela. The symbol is also illustrated in the "Investiture Scene" painted at the palace of Mari. [4] The most elaborate depiction is found on the Ur-Nammu-stela, where the winding of the cords has been detailed by the sculptor.