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Greek tragedy (Ancient Greek: τραγῳδία, romanized: tragōidía) is one of the three principal theatrical genres from Ancient Greece and Greek-inhabited Anatolia, along with comedy and the satyr play. It reached its most significant form in Athens in the 5th century BC, the works of which are sometimes called Attic tragedy.
Aristophanes (c. 446–388 BC), a leading source for Greek Old Comedy. The Acharnians (425 BC) The Knights (424 BC) The Clouds (423 BC) The Wasps (422 BC) Peace (421 BC) The Birds (414 BC) Lysistrata (411 BC) Thesmophoriazusae (c. 411 BC) The Frogs (405 BC) Assemblywomen (c. 392 BC) Plutus (388 BC) Pherecrates 420 BC; Diocles of Phlius ...
Euripides, however, was more fortunate than the other tragedians, [clarification needed] with a second edition of his work surviving, compiled in alphabetical order as if from a set of his collect works; but without scholia attached. This "Alphabetical" edition was combined with the "Select" edition by some unknown Byzantine scholar, bringing ...
Senecan tragedy specifically features a declamatory style, and most of his plays use exaggerations in order to make his points more persuasive. They explored the psychology of the mind through monologues, focusing on one's inner thoughts, the central causes of their emotional conflicts, dramatizing emotion in a way that became central to Roman ...
Because of these, Thespis is often called the "Inventor of Tragedy"; however, his importance is disputed, and Thespis is sometimes listed as late as 16th in the chronological order of Greek tragedians; the statesman Solon, for example, is credited with creating poems in which characters speak with their own voice, and spoken performances of ...
Sophocles [a] (c. 497/496 – winter 406/405 BC) [2] was an ancient Greek tragedian known as one of three from whom at least one play has survived in full. His first plays were written later than, or contemporary with, those of Aeschylus and earlier than, or contemporary with, those of Euripides.
A. Acestor; Achaeus of Eretria; Achaeus of Syracuse; Aeantides; Aeschylus; Agathon; Alcaeus (comic poet) Alexander Aetolus; Alexis (poet) Ameipsias; Amphis; Anaxandrides
[3] [4] Academic knowledge of the genre begins with his work, [5] and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. [6] According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them. Formerly, characters interacted only with the chorus ...