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Momin Khan Momin (Moʾmin Xān Moʾmin; 1800 – 14 May 1852) was a late Mughal era poet known for his Urdu ghazals. A lesser-known contemporary of Ghalib and Zauq, he used "Momin" as his pen name. His grave is located in the Mehdiyan cemetery in Maulana Azad Medical College, Delhi. [3]
The Urdu ghazal makes use of two main rhymes: the radif and qaafiya. [9] The radif is a repeating refrain consisting of a single word or short phrase that ends every second line in the ghazal. [9] However, in the matla, the first she'r of a ghazal, the radif will end both lines of the she'r. [8] The qaafiya is a rhyming syllable that precedes ...
Insha Allah Khan 'Insha', Insha (1756–1817) Saadat Yaar Khan Rangin, Rangin (1757–1835) Bahadur Shah, Zafar (1775–1862) Imam Baksh Nasikh, Nasikh (1776–1838) Khwaja Haidar Ali Atish, Atish (1778–1846) Muhammad Ibrahim Khan, Zauq (1789–1854) Mirza Asadullah Khan Ghalib, Ghalib (1797–1869) Chhannu Lal Dilgeer, Ghulam Hussain (1780 ...
Diwan-e-Ghalib is a poetry book written by the India born Persian and also Urdu poet Mirza Asadullah Khan Ghalib.It is a collection of the ghazals of Ghalib. [1] Though it does not include all of his ghazals as he was too choosy to include them all, still in many other copies of the Diwan Urdu scholars have tried to collect all of his precious works.
Momin Khan Momin (1800–1851), Mughal-era poet; Abdul Momin (1788–1885), sultan of Brunei; Abdul Momin (politician) (1929-2004), Bangladesh politician; Alap Momin (born 1974), American musician; Bashir Momin Kavathekar (Bashir Kamruddin Momin, 1947–2021, pen name Momin Kavathekar), Marathi poet and writer; Numal Momin (born 1972), Indian ...
Amir Khusro (1253–1325) composed the first ghazal in Urdu, titled ze-hāl-e-miskīñ. [2] He wrote in Persian and Rekhta (initial form of Urdu). Mirza Ghalib is considered one of the leading literary authority on Urdu poetry. [3] He lived in Delhi [4] and died in 1869. The literal meaning of shayar (shaa'ir) is poet. [5]
Makhmoor Saeedi, a contemporary poet and Urdu critic, praised Zaidi's mastery at creating an impression while writing in simple and unadorned language. [4] He noted Zaidi's themes: "integrity of character, opposition to all tyrannical powers, belief in retribution for one's actions, search for virtues in human nature, [and] belief in the ...
His ghazals also have some literary value. Since Bahadur Shah Zafar was fond of using simple and colloquial diction, Zauq too composed his ghazals using simple words, phrases of everyday use and similes rooted in the common culture. His ghazals are also notable for their spontaneity. Zauq was a deeply religious man.