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The consort song, popular in England, is considered to be closely related to the lute song. This was an earlier strophic form of music that was for a solo voice accompanied by a small group of string instruments. [1] In France, the chanson is a precursor to the lute song or air de cour. Collections of airs de cour were used in other countries ...
The first use of the term air de cour was in Adrian Le Roy's Airs de cour miz sur le luth (Book on Court Tunes for the Luth), [1] a collection of music published in 1571. The earliest examples of the form are for solo voice accompanied by lute; [2] towards the end of the 16th century, four or five voices are common, sometimes accompanied (or instrumental accompaniment may have been optional ...
Style brisé (French: "broken style") is a general term for irregular arpeggiated texture in instrumental music of the Baroque period. It is commonly used in discussion of music for lute, keyboard instruments, or the viol. The original French term, in use around 1700, is style luthé ("lute style").
Instrumental versions by Dowland include "Lachrimae" for lute, "Galliard to Lachrimae" for lute and "Lachrimae antiquae" (1604) for consort. Dowland also published Lachrimae, or Seaven Teares (London, 1604), a collection of consort music which included a cycle of seven "Lachrimae" pavans based on the falling tear motif.
The lute is used in a great variety of instrumental music from the Medieval to the late Baroque eras and was the most important instrument for secular music in the Renaissance. [3] During the Baroque music era, the lute was used as one of the instruments that played the basso continuo accompaniment parts. It is also an accompanying instrument ...
According to the Oxford Dictionary of Music, in the 16th century the instrumental fantasia was a strict imitation of the vocal motet. [2] Polyphonic solo fantasias were widely composed for the Lute & early keyboards.
Bourrée in E minor is a popular lute piece, the fifth movement from Suite in E minor BWV 996 (BC L166) written by Johann Sebastian Bach between 1708 and 1717. The piece is arguably one of the most famous among guitarists.
Barto has recorded eleven volumes of lute sonatas by baroque lutenist-composer Sylvius Leopold Weiss [3] and two CDs of the solo works of Bernhard Joachim Hagen for the Naxos and Symphonia labels. [4] Barto also recorded a part of soundtrack of an audiovisual installation by the Ukrainian artist and composer Roman Turovsky-Savchuk. [5]