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Gelobet seist du, Jesu Christ (Praise be to You, Jesus Christ), [1] BWV 91, is a church cantata by Johann Sebastian Bach.He wrote the Christmas cantata in Leipzig in 1724 for Christmas Day and first performed it on 25 December.
In addition to CD and DVD recordings, the J.S. Bach-Stiftung operates a channel on YouTube, [2] where selected recordings (e.g., excerpts and including individual movements from cantatas). And, since August 2015 the foundation provides its own streaming media platform, from which the complete discography is obtainable.
The Foundation is engaged in a project to perform and record Bach's complete vocal works at a church in Trogen, [2] a project which began in 2006 and was originally scheduled to take 25 years. [3] The Foundation maintains a choir and an orchestra (founded by Lutz as the "ensemble Schola Seconda Pratica") and features international soloists in ...
Bach structured the cantata in seven movements.Both text and tune of the hymn are retained in the outer choral movements, a chorale fantasia and a four-part closing chorale, and also in the central movement, a chorale for a solo voice, and in two recitatives that include chorale text and melody, one for a solo voice, the other using the choir for the chorale part. [10]
Wachet! betet! betet! wachet! (Watch! Pray! Pray! Watch!) [1] is the title of two church cantatas by Johann Sebastian Bach.He composed a first version, BWV 70a, in Weimar for the second Sunday in Advent of 1716 and expanded it in 1723 in Leipzig to BWV 70, a cantata in two parts for the 26th Sunday after Trinity.
O holder Tag, erwünschte Zeit (O lovely day, o hoped-for time), BWV 210.2, BWV 210, [1] is a secular cantata by Johann Sebastian Bach.He wrote the solo cantata for soprano in Leipzig for a wedding and first performed it between 1738 and 1746.
Herr, gehe nicht ins Gericht mit deinem Knecht (Lord, do not pass judgment on Your servant), BWV 105 is a church cantata by Johann Sebastian Bach.He composed it in Leipzig for the ninth Sunday after Trinity and first performed it on 25 July 1723.
Bach expresses the questions of the anxious "soul" in a dramatic way, similar to dialogues such as in O Ewigkeit, du Donnerwort, BWV 60.The first aria speaks of the "sleeping", illustrated by the recorders, low registers of the strings, and long notes in the voice.