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Letters to Milena is a book collecting some of Franz Kafka's letters to Milena Jesenská from 1920 to 1923. The English translation of the letters states, "Whereas Kafka generally wrote to Milena in German, most of her letters were in her mother tongue" of Czech (p. xvii).
Milena Jesenská (Czech pronunciation: [ˈmɪlɛna ˈjɛsɛnskaː]; 10 August 1896 – 17 May 1944) was a Czech journalist, writer, editor and translator. She is noted for her correspondence with the author Franz Kafka and was one of the first to translate his work from the German language.
Letters to Family, Friends, and Editors is a book collecting some of Franz Kafka's letters from 1900 to 1924. The majority of the letters in the volume are addressed to Max Brod . Originally published in Germany in 1959 as Briefe 1902-1924 , the collection was first published in English by Schocken Books in 1977.
Letters to Felice is a book collecting some of Franz Kafka's letters to Felice Bauer from 1912 to 1917. Schocken Books acquired these letters from Felice Bauer in 1955, in addition to roughly half of Kafka's letters to Grete Bloch, Bauer's friend. Additional letters to Bloch were acquired at a later date.
Schocken Books was founded in 1931 by Schocken Department Store owner Salman Schocken. Schocken has published the writings of Martin Buber, Franz Rosenzweig, Franz Kafka and S. Y. Agnon, among others.
The letter begins as follows: "Dearest Father, You asked me recently why I maintain that I am afraid of you. As usual, I was unable to think of any answer to your question, partly for the very reason that I am afraid of you, and partly because an explanation of the grounds for this fear would mean going into far more details than I could even ...
Letter Garden. Spell words by linking letters, clearing space for your flowers to grow. Can you clear the entire garden? By Masque Publishing
However, Frederick Robert Karl claims that Impure in Heart was intended to depict the letter's addressee Oskar Pollak, [4] an assessment also endorsed by Sander L. Gilman, who saw the story as an outgrowth of Kafka and Pollak's "passionate relationship," which "stressed the rhetoric of the body in a homoerotic setting."