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Black-figure pottery painting (also known as black-figure style or black-figure ceramic; Ancient Greek: μελανόμορφα, romanized: melanómorpha) is one of the styles of painting on antique Greek vases. It was especially common between the 7th and 5th centuries BC, although there are specimens dating in the 2nd century BC.
Exekias (Ancient Greek: Ἐξηκίας, Exēkías) was an ancient Greek vase painter and potter who was active in Athens between roughly 545 BC and 530 BC. [1] Exekias worked mainly in the black-figure technique, which involved the painting of scenes using a clay slip that fired to black, with details created through incision.
The technique of incising silhouetted figures with enlivening detail which we now call the black-figure method was a Corinthian invention of the 7th century [35] and spread from there to other city states and regions including Sparta, [36] Boeotia, [37] Euboea, [38] the east Greek islands [39] and Athens.
Kleitias (Greek: Κλειτίας, sometimes rendered as Klitias [1]) was an ancient Athenian vase painter of the black-figure style who flourished c. 570–560 BCE. Kleitias' most celebrated work today is the François Vase (c. 570 BCE), which bears over two hundred figures in its six friezes.
Inside of the cup. The Dionysus Cup is the modern name for one of the best known works of ancient Greek vase painting, a kylix (drinking cup) dating to 540–530 BC. It is one of the masterpieces of the Attic black-figure potter Exekias and one of the most significant works in the Staatliche Antikensammlungen in Munich.
Lydos (Greek: Λυδός, the Lydian) was an Attic vase painter in the black-figure style. Active between about 560 and 540 BC, he was the main representative of the "Lydos Group". His signature, ό Λυδός, ho Lydos ("the Lydian"), inscribed on two vases, is informative regarding the cultural background of the artist.