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Japanese woodblock print showcasing transience, precarious beauty, and the passage of time, thus "mirroring" mono no aware [1] Mono no aware (物の哀れ), [a] lit. ' the pathos of things ', and also translated as ' an empathy toward things ', or ' a sensitivity to ephemera ', is a Japanese idiom for the awareness of impermanence (無常, mujō), or transience of things, and both a transient ...
Gladius (Classical Latin: [ˈɡɫadiʊs]) is a Latin word properly referring to the type of sword that was used by ancient Roman foot soldiers starting from the 3rd century BC and until the 3rd century AD. Linguistically, within Latin, the word also came to mean "sword", regardless of the type used.
Shibui still maintains this literal meaning, and remains the antonym of amai (甘い), meaning "sweet". However, by the beginnings of the Edo period (1615–1868), the term gradually had begun to refer to a pleasing aesthetic. The people of Edo expressed their tastes in using this term to refer to anything from song to fashion to craftsmanship ...
Kireji (切れ字, lit. "cutting word") are a special category of words used in certain types of Japanese traditional poetry. It is regarded as a requirement in traditional haiku, as well as in the hokku, or opening verse, of both classical renga and its derivative renku (haikai no renga).
The Man'yōshū (万葉集, pronounced [maɰ̃joꜜːɕɯː]; literally "Collection of Ten Thousand Leaves") [a] [1] is the oldest extant collection of Japanese waka (poetry in Old Japanese or Classical Japanese), [b] compiled sometime after AD 759 during the Nara period. The anthology is one of the most revered of Japan's poetic compilations.
Genma (Onimusha), recurring enemies and race of monsters in the Onimusha video game series Genma (早乙女 玄馬), a character in the anime and manga series Ranma ½; Genma, a character in the Battle Arena Toshinden fighting game series
Japanese literature throughout most of its history has been influenced by cultural contact with neighboring Asian literatures, most notably China and its literature. Early texts were often written in pure Classical Chinese or lit.
Onryō are used as subjects in various traditional Japanese performing arts such as Noh, Kabuki, and Rakugo; for example, hannya is a Noh mask representing a female onryō. [5] The Japanese people's reverence for onryō has been passed down to the present day.