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300,000 (State funeral) [10] Funeral of Sholem Aleichem: May 13, 1916 United States: New York City: at least 250,000 [11] Funerals of Rosa Luxemburg and Karl Liebknecht: June 13, 1919 Weimar Republic: Berlin: 200,000 [12] Funeral of Michael Collins: August 28, 1922 Ireland: Dublin: 500,000 [13] Funeral of Rudolph Valentino: August 30, 1926 ...
The packed funeral at St. Paul on the Lake Catholic Church in Grosse Pointe Farms included eulogies by the fallen officer's colleagues and family members, followed by a Catholic funeral and police ...
The Funeral (often The Funeral (Dedicated to Oskar Panizza)) is a painting by the German Expressionist artist George Grosz, completed between 1917 and 1918.The work combines elements of Futurism and Cubism [1] to show a funeral procession in a modern urban city, as an infernal abyss populated by twisted and grotesque attendants. [2]
The hymn was replaced by a Russian funeral march honoring the martyrs of the Russian and German revolutions. The GDR national anthem replaced the Deutschlandlied. Other elements of the traditional Prussian ceremony—especially the torchlight procession, flourishes, and the Zapfenstreich March—were retained.
Theodor Grosse (1829–1891) was a German historical painter. He was born at Dresden and studied at the Dresden Academy under Bendemann. For his encaustic decorations in the castle of Count Solms Wildenfels on the Mulde, he was awarded the traveling scholarship of the Dresden Academy.
A funeral service for Pressler was held on Saturday. The news of Pressler’s death was first reported by Baptist News Global. Paul Pressler, a leading figure of the Southern Baptist Convention ...
On February 14, 1930, Catalanotte died in his home in Grosse Pointe due to complications with pneumonia; a day away from his 36th birthday. [7] His funeral was held on February 17 in the Church of the Most Holy Family. [7] Catalanotte’s body was taken from his home to the church in a procession more than a half a mile long.
Model of the Große Halle. The Volkshalle (German pronunciation: [ˈfɔlksˌhalə], "People's Hall"), also called Große Halle ([ˌɡʁoːsə ˈhalə], "Great Hall") or Ruhmeshalle ([ˈʁuːməsˌhalə], "Hall of Glory"), was a proposal for a monumental, domed building to be built in a reconstituted Berlin (renamed as Germania) in Nazi Germany.