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Masks are a prominent feature of African cultural heritage. The history, use, and symbolism of masks vary across national, ethnic, and cultural identities. In West Africa, masking traditions are closely linked with the history of masquerades. Dogon Masks and Ceremonial Costumes
All Bobo masks serve as a means of contact between human beings and these deities; some represent the deities themselves while others, called bolo masks, depict animals and people. Bolo masks such as this one are usually danced for entertainment. The art of Burkina Faso is the product of a rich cultural history
Their masks were often masterpieces of carving, sometimes with movable jaws, with the parts sometimes moved by pulling cords, or a mask within a mask to represent a magical transformation. The carving of masks was an important feature of woodcraft, along with many other features that often combined the utilitarian with the symbolic, such as ...
Masks have been used for a variety of purposes within Igbo culture in both historic and modern times. For specific segments of the Igbo population, some mask pairs have been traditionally interpreted as representing the duality of beauty and ugliness. The former being depicted as the maiden spirit and the latter as the elephant spirit. [4]
Masks to indicate the indigenous in the Tastoanes dance often originally had scorpions painted on them, but evolved to include hooked noses and other grotesque features. Today the noses are made of wood and images of bikini-clad women are painted on. [61] Skull masks have their origins in the pre-Hispanic period.
The culture of Burkina Faso in West Africa is also called the Burkinabé culture. Two key elements of culture in Burkina Faso (a country once known as Upper Volta) are its indigenous masks and dancing. The masks used in this region of the western Sahel are made for rites of sacrifice to gods and animal spirits in the villages. Native dance, on ...
According to Ki Leonce, executive director of ASAMA, "There are two aspects about masks. One is cult and the other is culture; there might be a religious conflict for people who venerate masks, but there is no conflict from the cultural point." [8] The original FESTIMA, held in 1996, was four days long, and the event has since expanded to seven ...
Similar to gle masks, miniature masks are carved to embody du tutelary spirits, but their main function is the protection of their owner from harm. [1] These masks may also be used in divination and as sacred objects upon which to swear an oath - thus ma go are treated like other sacred objects and are fed with ritual offerings and kept hidden ...