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♬ Spooky, quiet, scary atmosphere piano songs – Skittlegirl Sound. For the record, pandas are indeed very real, and very adorable. But for more unpacking of various internet phenomena, check ...
This is quite subjective and self-referential. Mostly, subjective and far-fetched descriptions are available: "quiet, blurred cluster chords and imitations of the twittering of birds and croaking of nocturnal creatures", [3] "In an atmosphere of hushed expectancy, a tapestry is woven of the tiny sounds of nocturnal animals and insects."
Shine Honesty is the first studio album by the band Quiet Company released on March 20, 2006, by Northern Records of Los Angeles California. The album is a piano rock driven effort recorded in majority by frontman Taylor Muse.
From the liner notes: "Ingenious use of echo, artificial reverberation and electronic alterations gives the music in this category a weird, spooky futuristic, 'out of this world' quality, well-suited to super-natural happenings of any kind. Piano, drums and electronic instruments are used to achieve the strange atmosphere and spatial sounds."
A Quiet Place (Music from the Motion Picture) is the soundtrack to the 2018 film of the same name directed by John Krasinski. Featuring musical score composed by Marco Beltrami , the soundtrack was released under the Milan Records label on April 6, 2018.
"Tense Atmosphere", a graphic score by Juan María Solare which consists of a silence with a sforzato sign (2013) "The Nutopian International Anthem" by John Lennon (1973) "Two Minutes Silence" by John Lennon and Yoko Ono "Omitted for Clarity" by Karnivool on Themata (2005) "One Minute of Silence" by Soundgarden "A One Minute Silence" by Mike Batt
Coulais’ orchestra creates a wonderful atmosphere and spooky tone for the film." [ 9 ] Mark Morton of AllMusic wrote " Coraline is like a Cirque du Soleil performance for the ears. Zipping through a concoction of world music, new Age, classical, and bebop, Coulais draws comparisons to Danny Elfman 's frenzied musical cocktails, but with an ...
It reoccurs in the film during the quiet moments of the siege, becoming in effect a musical articulation of rhythm of the siege itself. [11] Bishop is heard whistling the tune of this particular theme at the beginning and end of the film, making the electric piano theme "a non-diegetic realization of a diegetic source."