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Origin Philippines The cariñosa ( Spanish pronunciation: [kaɾiˈɲosa] , meaning loving or affectionate) is a Philippine dance of colonial-era origin from the Maria Clara suite of Philippine folk dances, where the fan or handkerchief plays an instrumental role as it places the couple in a romance scenario.
Señorita bananas are diploid cultivars of the wild seeded banana Musa acuminata.Its accepted name is Musa acuminata (AA Group) 'Señorita'.In the Philippines it is known as 'Monkoy', 'Sarot-sut', 'Cariños' or 'Cariñosa', 'Arnibal' or 'Inarnibal' in Negros Occidental (literally "syrup" in Hiligaynon), and 'Lunsuranon' in Surigao.
List of ethnic, regional, and folk dances by origin List of national dances Categories listed on these specialized (categorized) lists should also be included in this general index.
Tinikling is a traditional Philippine folk dance which originated prior to Spanish colonialism in the area. [1] The dance involves at least two people beating, tapping, and sliding bamboo poles on the ground and against each other in coordination with one or more dancers who step over and in between the poles in a dance.
Pandanggo is a Philippine folk dance which has become popular in the rural areas of the Philippines.The dance evolved from Fandango, a Spanish folk dance, which arrived in the Philippines during the Hispanic period.
Singkil's origins and evolution have been the subject of various debates, but it is mostly agreed upon that it is a relatively new practice by the Maranao people. Sani (1979) suggests that the dance originated in the Basak area, located on the eastern shores of Lake Lanao, which then spread to other
Country Dance(s) Afghanistan: Attan [1]: Albania: Shota: Algeria: Chaabi: Angola: Capoeira Angola, Kabetula, Kizomba, Kuduro, Rebita, Semba and Viola : Argentina ...
Rondalla Alginet, beginning 1900's. The rondalla has its origins in the folk playing bands from Spain that were forerunners of the present-day rondalla and included four types: groups of young men who played and sang regularly in front of homes, bands of musicians known as murza or murga who begged for alms, a group of musicians known as comparza who played on stage, and groups of university ...